不良行為

　　恩里克（費雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會學校的同學，更是一對同性戀人。學校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會學校。這對同性戀人也就勞燕分飛?！　〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶а荨Ｒ惶?，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長經(jīng)歷加上想象的成年經(jīng)歷，恩里克對劇本十分感興趣，但卻不同意由伊格萊西奧出演?！　‘敹骼锟藖淼揭粮袢R西奧的家鄉(xiāng)時，秘密一幕幕揭開……

1935年上海中共地下組織遭國民黨特務(wù)重創(chuàng)，絕密檔案危在旦夕。地下黨員徐峰、李靜臨危受命與叛徒、特務(wù)展開生死周旋，更要面對昔日兄弟反目的仇怨，歷經(jīng)重重犧牲與考驗，最終成功取回絕密檔案，完成革命使命。

曾出現(xiàn)在《教場1&2》SP 和《教場 0》的部分學生、新人刑警演員回歸，為這個系列畫上句點，并揭示風間右眼被刺傷的真相。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.