晚春
韓國2014最新無刪減劇情影片，全片鋼琴背景樂，但還是覺得很變態(tài)。令人討厭的大男子主義意y-，所有美女都想給你當(dāng)裸模，一看就是屌絲導(dǎo)演所拍，情感邏輯也怪怪的。不過不得不說女豬腳的身材真是標(biāo)致，沒被寵幸的妻子和小女傭也超級美 hellip; hellip; nbsp; 電影《春天》講述的是曾被稱為是天才的作家因為得了不治之癥，失去了生活下去的信心，而妻子則為了重新喚醒作家的寫作靈感，帶回一個滿是故事的女人。 該片還在4月11日開幕第23屆亞利桑那州國際電影節(jié)上獲得最佳外語片獎。 而在第14屆米蘭國際電影節(jié)上，該片入圍了最佳導(dǎo)演、最佳劇本、最佳攝影、最佳音樂、最佳美術(shù)、最佳女主角、最佳男配角共8個單元的提名。
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廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦講述了獨自撫養(yǎng)女兒的公務(wù)員國熙相信完美主義是在世界上生存的唯一出路，命運般地遇到弗拉門戈舞而展開的故事。
連環(huán)殺手夫人
杰奎琳·費南德斯,馬諾杰·巴杰帕伊,莫希特·雷納,Zayn Khan一名醫(yī)生因一連串令人震驚的兇惡案而入監(jiān)服刑，他忠心的妻子打算模仿同樣的殺人手法作案，借以證明他的清白。
血戰(zhàn)到底2025
李恰,于莫凡,李博,呂晨1939年繁昌保衛(wèi)戰(zhàn)，新四軍排長朱振率隊護送握有日軍南京暴行證據(jù)與作戰(zhàn)計劃的記者陸瑛。遭日軍圍追堵截，隊員接連犧牲，歷經(jīng)雪原伏擊、山洞激戰(zhàn)等生死考驗，最終朱振殉國，陸瑛成功送證，助新四軍獲勝，日軍罪行曝光。
X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony NewleyBritish Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
KING OF PRISM -Your Endless Call- 大～家一起閃耀！PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關(guān)俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥《棱鏡少男 KING OF PRISM》系列新電影
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.