劇情縱覽
別名:The Rascals 相當受爭議的一部童趣忘年早熟影片,伯納德是一個相當輕浮少年,是在第一次的愛,祂喜歡瑪麗 - Hlne,老年人和更成熟的女孩。為了接近她也不是那么容易......
別名:The Rascals 相當受爭議的一部童趣忘年早熟影片,伯納德是一個相當輕浮少年,是在第一次的愛,祂喜歡瑪麗 - Hlne,老年人和更成熟的女孩。為了接近她也不是那么容易......
一對夫婦在被暴徒控制的中西部地帶,只有通過與之斗爭才能回家的故事,影片將于6月29日北美上映。
Two sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
一對理想主義的年輕夫婦獲得了一個逼真得令人驚嘆的機器人,機器人的幫助使他們無憂無慮,但隨著他們日漸親近,他們對人性的感知將會改變。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.