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劇情簡介
民國年間,一個叫做孤山村的山莊里,姚家小姐姚秀被白皮子迷惑成妖,因而導致全家被害的離奇慘案。多年后,化名路小安的姚秀重返孤山村,查找當年全家被害的原因。最終巧施妙計找出真兇,并打破了白皮子能夠附身控制人的假象,揭露了一切封建迷信都是謠言傳說,倡導了破除迷信,崇尚科學,樹立正確的世界觀,堅信唯物主義思想。
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斯克魯奇:圣誕頌歌
盧克·伊萬斯,奧利維婭·科爾曼,杰西·巴克利,強尼·弗林,弗拉·菲,吉爾斯·特雷拉,特雷弗·迪昂·尼古拉斯,詹姆斯·科茲莫,荷馬·托迪瓦拉,喬納森·普雷斯,杰米瑪·露西·紐曼,德文·波默羅伊點到為止
尹正,潘斌龍,黃才倫,張一鳴,梁超,魏翔,彭昱暢,王成思,宋木子,王韋程,黃允桐,王瑄,蔣詩萌,東靖川,蕭李臻瑱塵兔
大衛(wèi)·達斯馬齊連,麥斯·米科爾森,西格妮·韋弗,瑞貝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao愚者的身份
北村匠海,綾野剛,林裕太,山下美月,矢本悠馬,木南晴夏太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska荷蘭人
安德烈·霍蘭,凱特·瑪拉,斯蒂芬·亨德森,莎姬·貝茲,阿爾迪斯·霍吉,勞倫·E.班克斯,特蕾西·懷爾德,蘭尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托爾恩,凱文·泰勒·羅德里格斯,Hyunmin Rhee,Natasja Naarendorp,邁克爾·勞倫斯,Christopher Batyr,Christopher Cortez Adams,Mounir Quazzani導演精選
舉起手來2:追擊阿多丸號
1945年,第二次世界大戰(zhàn)接近尾聲,軸心國已成強弩之末,敗局已定。許多戰(zhàn)爭中被俘虜?shù)娜毡臼勘?jīng)過改造后,陸續(xù)踏上回國的旅途,這其中便包括羅圈腿中村下等兵(潘長江 飾)。然而,即使在這垂死關(guān)頭,帝國主義的貪婪仍舊沒有收斂。輪椅太君(胡曉光 飾)傷愈出院,親自負責指揮戰(zhàn)艦阿多丸運送傷兵回國的重任,但是阿多丸還有一個秘密任務(wù),那就是將從中國劫掠來的文物偷運出境。這個秘密被小劉(劉小微 飾)的父親——一個文物老專家所得知,他掌握著所有文物的清單,也因此遭到日寇的追殺。臨死之際,老教授將藏有清單的可樂瓶交給擔任聯(lián)絡(luò)員的郭大叔(郭達 飾)。偵知到日本人的陰謀,八路軍以及重慶方面的勢力都行動起來?! 《谶@一過程中,更大的陰謀也悄悄浮出水面……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
浴火巾幗3
這是一場與時間的賽跑,決不會手軟。Shivani Shivaji Roy回來營救失蹤的女孩。