碎夢(mèng)前行
司迪妮（凱瑟琳?貝勒暫無內(nèi)容Kathleen暫無內(nèi)容Beller暫無內(nèi)容飾）是一位非常年輕的姑娘，對(duì)待生命的態(tài)度充滿了熱忱，可是，這樣一個(gè)美好的女孩，在上帝的作弄之下，她的生命只剩下6個(gè)月的時(shí)間了，而唯一能夠延長(zhǎng)她壽命的方法，就是去接受價(jià)值不菲的手術(shù)。司迪妮的丈夫是一名工人，手術(shù)所要花費(fèi)的數(shù)額對(duì)于他們這樣的家庭來說堪稱天價(jià)。
即刻觀影
劇情賞析
編輯推薦
婚禮上我們討厭的人
艾莉森·珍妮,辛希亞·阿戴-羅賓森,克里斯汀·貝爾,本·普拉特,托尼·戈德溫,約翰·麥克米蘭,喬瑪·塔科內(nèi),達(dá)斯汀·米利甘,朱利安·歐文登,卡蘭·索尼,杰克森·戈登伯格,伊薩赫·德·班克爾,魯弗斯·瓊斯,喬尼·韋爾登,里奇·基伯,Lesley Ewen,艾瑪·戴維斯,羅布·豪森,里查·普拉卡什,勞倫斯·拉塞爾,皮埃爾·伯格曼,安德魯·G·奧格爾比,杰寧·哈瑞妮,阿德南·昆迪,Michelle Thomas,斯圖爾特·惠蘭,Davina Moon艾莉森·珍妮、安妮·墨菲(《富家窮路》)、本·普拉特將主演婚禮喜劇[婚禮上我們討厭的人](The People We Hate at the Wedding，暫譯)。該片由克萊爾·斯坎倫(《初來乍到》)執(zhí)導(dǎo)，《開心漢堡店》第二季編劇Lizzie molyneux-logelin、溫迪·莫里紐克斯共同操刀劇本。該片根據(jù)格蘭特·金德撰寫的同名小說改編，有望成為另一個(gè)[四個(gè)婚禮和一個(gè)葬禮]。故事講述一個(gè)不太和睦的家庭，因?yàn)橐粓?chǎng)婚禮被迫相聚，他們過去的隔閡一點(diǎn)點(diǎn)被放大，這些也正是這個(gè)家庭在重歸于好的路上需要解決的問題。
77號(hào)頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
至尊馬蒂
提莫西·查拉梅,格溫妮斯·帕特洛,敖德薩·阿德隆,凱文·奧利里,泰勒·奧康馬,桑德拉·伯恩哈德,阿貝爾·費(fèi)拉拉,喬什·伯恩,亞歷山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,蓋佐·羅赫里格,法蘭·德瑞雪,弗朗西斯·杜莫里耶,凱文·?？藸査诡D,約里斯·斯圖克,克里斯蒂安·伊格弗丹斯,布萊克·吉奧維蒂,斯賓塞·格蘭斯,托雷·希爾為了實(shí)現(xiàn)一個(gè)無人相信的偉大夢(mèng)想，馬蒂去了一趟地獄?！ ∧贻p迷人的馬蒂，渴望名聲、榮耀，以及遙不可及的“世界乒乓球冠軍”頭銜。為了夢(mèng)想，他什么都能做到。穿越紐約、巴黎、倫敦、開羅與東京，他在無數(shù)的挫折與考驗(yàn)中前行，遇見了摯友、戀人與伙伴，也一次次在勝敗之間重生。最終，他開創(chuàng)了自己的偉大道路，也領(lǐng)悟了榮光的真正意義。
懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內(nèi)代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達(dá)·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達(dá)·佩德爾維茨丹麥懸疑犯罪片，該片刷新丹麥國(guó)產(chǎn)片票房紀(jì)錄，是系列電影《懸案密碼》的第四部，也是最終章，《懸案密碼》系列改編自丹麥小說家尤西·阿德勒-奧爾森（JussiAdler-Olsen）的同名小說，
四十而惑
保羅·路德,萊斯利·曼恩,杰森·席格爾,克里斯·奧多德,梅根·福克斯,梅麗莎·麥卡西,莉娜·鄧納姆,艾伯特·布魯克斯《一夜大肚》中的夫妻皮特（保羅·路德 Paul Rudd 飾）與黛比（萊斯利·曼恩 Leslie Mann 飾）如今年過四十，雖然黛比已經(jīng)擁有一個(gè)不錯(cuò)的精品店，皮特也開了自己的唱片公司，然而生活的暗礁還是漸漸圍困了這個(gè)家庭：不僅皮特開始需要借助“偉哥”，兩人的父母也年歲漸衰，需要供養(yǎng)，皮特的唱片店近來也在艱難維系，兩個(gè)還在上學(xué)的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳?zāi)沟耐瑫r(shí)，連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后，終于決定要挽救自己的婚姻，而此時(shí)，她已經(jīng)懷上了皮特的第三個(gè)孩子…… 本片為導(dǎo)演在2007年的喜劇電影《一夜大肚》的一個(gè)獨(dú)立續(xù)集。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.