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憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克瓢蟲少女特別篇:巴黎故事
私房錢事件
劉瑋婷,張楚松,李婷婷,王迎奇旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪最后的吸血鬼
工藤夕貴,中村佐恵美德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃爾·斯帕休,Alexandra Harapu,Ana Dumitrascu,亞歷山德魯·達(dá)比加,Claudiu Dumitru,謝爾班·帕夫盧,Andrada Balea,伊林卡·馬諾拉切,尼科丁·恩古里亞努,艾麗娜·塞爾班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米?!た片斄_尤,Alexandru Georgescu,卡麗娜·齊同類推薦
逆時(shí)追兇
麥迪遜·貝利,邁克爾·山克斯,格里芬·格魯克,安東尼婭·金特里,莎莫·H·豪威爾,瑞秋·克勞福德,梅根·貝斯特,亞當(dāng)·哈蒂格,塞繆爾·布勞恩,辛妮·比斯頓,Kataem O'Connor,格溫多琳·柯林斯,喬丹·佩特爾,Dutchess Cayetano,Chess Tomlinson,Bj·韋羅,Elena Howard-Scott,泰瑞·威瑟斯龐,科琳·弗蘭,Samantha Hutchings2024年,一名少女意外穿越回 2003年,而她的姐姐將在幾天后被一名蒙面殺手殺害。她能否在不毀掉未來(lái)的情況下改變過去?
藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強(qiáng),王博,張遙函,趙曉明,張偉,李世榮,徐濤少年田勁的父母早年為了將西醫(yī)帶入藏地做出了無(wú)數(shù)的犧牲,由于無(wú)法適應(yīng)高原的生活,田勁的媽媽帶著尚在襁褓中的兒子返回內(nèi)地,爸爸拉格巴則在高原繼續(xù)著他的事業(yè)。數(shù)年過后,媽媽病故,無(wú)依無(wú)靠的田勁來(lái)到高原尋找爸爸,然而心中卻藏著無(wú)數(shù)的怨恨。拉格巴終日忙碌行醫(yī),任憑兒子自行學(xué)習(xí)牧羊。某天,田勁遭到狗熊的威脅,幸虧一只金色的藏獒相助,后來(lái)更因種種機(jī)緣讓他與這只名叫多吉的藏獒成為最親密的朋友。與此同時(shí),草原上出現(xiàn)了專門殘害生靈的惡魔,牧民的平靜生活被徹底打破……本片根據(jù)楊志軍的小說(shuō)《藏獒》改編,由中日兩國(guó)聯(lián)合制作,日本著名漫畫家浦澤直樹還擔(dān)任了人設(shè)和導(dǎo)演的工作。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最佳女婿
張學(xué)友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜美發(fā)師紀(jì)阿開(張學(xué)友)、服裝設(shè)計(jì)師大眼龍(莫少聰)和風(fēng)水師賴布?。ㄖ苄邱Y)三個(gè)死黨合伙開了一家新潮美發(fā)店,不料開業(yè)當(dāng)天就與隔壁理發(fā)店老板發(fā)生爭(zhēng)執(zhí),幸得店老板女兒亞英(張敏)及時(shí)出手風(fēng)波平息,過程中,三人皆被亞英魅力吸引,為贏其芳心,開始頻頻登其家門獻(xiàn)殷勤?! ∧炒瓮聿途蹠?huì)后,三人爛醉與亞英誤睡一室,導(dǎo)致亞英懷孕,為與亞英一起生活,三人爭(zhēng)先恐后將準(zhǔn)父親一職往自己身上攬,又因三人血型相同,醫(yī)院也無(wú)法驗(yàn)出誰(shuí)在冒名,亞英父母決定先考察三人表現(xiàn),為爭(zhēng)當(dāng)最佳女婿,三人使盡渾身解數(shù)展開激烈角逐。
虛擬實(shí)驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發(fā)明了革命性的藥品型軟件,可直接在人類大腦中創(chuàng)造虛擬現(xiàn)實(shí),僅幾秒鐘就能體驗(yàn)幾小時(shí)或幾天的激動(dòng)人心的冒險(xiǎn)。仁要拯救弟弟于記憶迷局,而合作伙伴一心只想賺取利益,但是一切都是記憶連環(huán)套……