完全飼育：專屬女仆
秋葉原，宅男云集的電玩勝地。擔(dān)任漫畫(huà)咖啡廳店長(zhǎng)的椛島（柳浩太郎 飾）是一個(gè)羞澀內(nèi)向的男孩，他迷上了在女仆咖啡廳工作的小莓（亞矢乃 飾），然而對(duì)方卻完全不知道他的存在。小莓生日當(dāng)天，椛島特意在店外等待。他原本想送上自己精心制作的生日禮物，卻被小莓誤認(rèn)作壞人，雙方發(fā)生撕扯。當(dāng)小莓從昏迷中蘇醒時(shí)，發(fā)現(xiàn)自己被綁在一間陰暗的屋子內(nèi)。椛島并不想傷害小莓，他只希望和心儀的女孩在密閉的空間內(nèi)，長(zhǎng)久生活在一起 本片根據(jù)著名演員松田優(yōu)作的遺孀松田智子的原著《女子高校生誘拐飼育事件》改編，系;完全飼育系列 的第7部作品，由深作欣二之子深作健太執(zhí)導(dǎo)。
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忍者刺客49
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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