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卡洛·克拉姆林,羅賓·桑德曼,卡塔琳娜·瑪麗·舒伯特,斯蒂姆拜爾·蒙克,比內(nèi)塔·漢森,肖恩·道格拉斯,薩米·施賴恩,維拉·菲,麗莎·里斯納,奧勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉爾夫·霍尼克,弗蘭茨·費迪南德·克勞斯,卡特婭·烏菲爾曼,芬雷·德亞文怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛(wèi)·科列儂,凱斯·大衛(wèi),理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德潛艦情緣
何塞·加西亞,皮奧·馬麥,伊爾·哈達拉森英恵蝴蝶之外
八木莉可子,中島裕翔埃塞爾阿姨的萬圣節(jié)
Chris Cavalier,Melissa Daddio,西恩·邁克爾·格洛里亞,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎同類推薦
天機秘錄
影片講述了天機門被懸刃衛(wèi)以通敵叛國罪滅門后,氣劍宗葉梵星受父命潛入懸刃衛(wèi)查探真相,并與天機門唯一幸存者夏璃月相遇,二人共同揭露背后陰謀,誅殺叛徒并守護家國的故事
競時出擊
王韜,魏小歡,江佳桐,李江瑤刑警沈佳明、吳艷和康業(yè)在破獲一宗跨國重案后,卷入一系列離奇命案。首名死者孫成剛車禍身亡疑點重重,隨后女子孔思思也遭遇不測。警方發(fā)現(xiàn)兩名受害者均與醫(yī)院器官捐獻系統(tǒng)存在關聯(lián),而醫(yī)院器官捐獻協(xié)調(diào)員糜芳、醫(yī)生馬玉茹以及等待器官移植的羅永軍兄妹皆被卷入漩渦。就在刑警們分頭追兇時,第三名潛在受害者已危在旦夕。吳艷與時間賽跑,阻止了一場高空謀殺,卻發(fā)現(xiàn)真兇竟藏于最意想不到的身邊。
圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩Molly Dunn(Jhey Castles 飾)從小熱愛地理,她曾在半夜做實驗鬧得家人不得安寧,但是她并不是一個十分幸運的孩子,父親很早就死于一場地震災害中。長大后Molly成為了一名地質(zhì)學家,在一所大學教書,某天她正在做一項預測地震的試驗,安放在各處的傳感器數(shù)據(jù)顯示即將會有一場大地震發(fā)生,她必須通知所有人撤離,但是她的力量實在太薄弱了,并沒有人愿意聽信她的預測,地震如期而至,她只有與時間賽跑,盡可能的拯救更多的人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
穿越者之異夢空間
馬文強,寧丹琳,果靜林是一個融合現(xiàn)代科技、維度穿越、動作、喜劇、燒腦等流行元素的美劇式故事。宇宙萬物,存在于不同的時間與空間中,稱之為“時空”,各個時空彼此平行,永不交錯,除非,在兩個平行空間中,出現(xiàn)了兩個完全吻合的斷點...夢是什么?如果夢是時空中的平行線,那現(xiàn)實又是什么? 影片將于2016年2月26日在愛奇藝獨家播映!