劇情縱覽
保羅,在日落大道一個赤裸上身去,去酒吧的老板,是不是有一個美好的一天。他的女友,不知情的他,正打算搶劫他的俱樂部,他的妻子是有與虎背熊腰,腳蹬酒保外遇
保羅,在日落大道一個赤裸上身去,去酒吧的老板,是不是有一個美好的一天。他的女友,不知情的他,正打算搶劫他的俱樂部,他的妻子是有與虎背熊腰,腳蹬酒保外遇
來自西域的舞姬阿離三年前慘死客鄉(xiāng),身首異處,她的妹妹阿月來到事發(fā)的客棧,聯(lián)合戲法師李久成和縣令張承合謀演了一出大戲,將三年前涉及此事的相關(guān)人等都聚于一堂,巧設(shè)妙計讓當年害死姐姐的兇手互相指證現(xiàn)形,最終查明了姐姐死去的真相,洗去了污名并昭雪報仇。
自幼能夠看到恐怖幽靈的八神森司(中山優(yōu)馬 飾),在高中時邂逅了被神秘鬼影糾纏的后輩小歷(島崎遙香 飾)。他雖然喜歡對方,卻由于自身膽怯的性格始終無法表白。第一年沒有考上大學,經(jīng)過一番努力森司如愿進入期望的高校,并且和小歷重逢。在此期間,他聽說小歷和童年好友加入了某個超自然研究會,聯(lián)想到高中的事件,森司無法對小歷放任不管,于是也硬著頭皮加入進去。這群個性滿滿的年輕人每天追蹤各類神秘事件,不久后校園內(nèi)開始出現(xiàn)離奇現(xiàn)象,而小歷也成為惡靈狙擊的目標…… 本片根據(jù)第19屆日本恐怖小說大獎讀者獎獲得者櫛木理宇的同名作品改編。
艾美從又濕又冷的浴缸裡驚醒,發(fā)現(xiàn)自己似乎被軟禁在一所廢棄的學校。身邊一片漆黑又恐怖,斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間,只能與腦中想法相依。身為一名醫(yī)生,同時也是妻子和悲傷的母親,始終無法認清兒子因為意外已長眠的事實,並認為兒子也被困在學校裡面。在這充滿敵意、超自然煉獄般的學校,深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學?!沟囊?guī)則,隨著艾美遇到住在「學校」的恐怖邪惡生物,令人畏懼的超自然力量與內(nèi)心恐懼接踵而至,到底她對抗的是這些恐怖的生物,還是自己的心魔呢?
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.