劇情簡(jiǎn)介
孫逸臣（張繼聰 飾）在一次出差中，因女秘書意外遇害身亡而含冤入獄。獄中不僅要與獄霸司徒（黃光亮 飾）周旋，還要面對(duì)兇殘獄長(zhǎng)（鄭浩南 飾）的霸凌，只有獄警胡海（張建聲 飾）勉強(qiáng)關(guān)照。獄中本就度日如年，而一場(chǎng)致命的傳染病此時(shí)也悄然降臨。面對(duì)“天災(zāi)人禍” 于逸臣決定利用 知識(shí) 改變命運(yùn)，求生申冤。他將如何虎口脫險(xiǎn)，為自己博得一線生機(jī)？
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馬拉加街夕陽紅
卡門·毛拉,瑪爾塔·埃圖拉,艾哈邁德·布拉內(nèi),瑪利亞·阿爾方薩·羅索,米格爾·加爾塞斯,拉·伊門79歲的西班牙女子瑪麗亞·安赫萊斯獨(dú)自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當(dāng)她女兒從馬德里趕來，想要賣掉她一直居住的公寓時(shí)，她的生活徹底被打亂了。決心留下來的她，竭盡所能想要奪回自己的家與財(cái)物，卻意外重拾了愛情與感官的愉悅。
借口公司
菲利普·拉肖,艾洛蒂·豐唐,朱利安·阿魯?shù)?塔雷克·布達(dá)里,迪迪?！げ紶枛|,納塔莉·貝伊,娜威爾·瑪達(dá)尼,梅迪·薩東,樊尚·德扎尼亞,愛麗絲·杜富爾,菲利普·杜克斯納,米歇爾·拉羅克,凱德·麥拉德,薩米·納塞利,喬·普雷斯蒂亞,諾曼·塔沃,喬伊·斯塔爾格雷（菲利普·拉肖 Philippe Lacheau 飾）是“借口.com”公司的創(chuàng)始人，專門為需要“打掩護(hù)”的客戶制造各種各樣的借口和謊言。因?yàn)樘厥獾男再|(zhì)和高需求，公司的經(jīng)營(yíng)蒸蒸日上。一次偶然中，格雷邂逅了名為弗洛（艾羅娣·方坦 élodie Fontan 飾）的女子，弗洛的天真和單純深深的吸引著格雷，令后者墜入情網(wǎng)。格雷深信，她就是他命中注定要尋找的另一半?！ ∪欢?，令格雷頭疼的是，弗洛是一個(gè)對(duì)“撒謊”零容忍的的人，如果告訴了她自己的真實(shí)身份，她一定會(huì)憤怒的拂袖而去。無奈之下，格雷只得用謊言將自己重重包裝，在虛偽的假面下，格雷終于和弗洛走到了一起，可是當(dāng)他到弗洛家做客時(shí)才發(fā)現(xiàn)，弗洛的父親竟然就是自己的客戶。
縱橫四海
周潤(rùn)發(fā),張國(guó)榮,鐘楚紅,朱江,曾江,胡楓,唐寧,鄧一君砵仔糕（周潤(rùn)發(fā) 飾）、阿占（張國(guó)榮 飾）和紅豆（鐘楚紅 飾）均是孤兒，在養(yǎng)父（曾江 飾）栽培下成為國(guó)際大盜。長(zhǎng)大后成了幫他賺錢的藝術(shù)品大盜，而三人同時(shí)又認(rèn)了警察（朱江 飾）為干爹。法國(guó)巴黎博物館內(nèi)，名畫《赫林之女仆》被人盜走。與此同時(shí)，阿海、阿占和紅豆三人以敏捷身手盜得另一幅名畫，在與法國(guó)大哥交易時(shí)得知名畫《赫林之女仆》在妖氣重重的古堡內(nèi)，他們?cè)谠才畔鲁晒Φ乇I取此畫之后，反被集團(tuán)原兇曾江與法國(guó)大哥合謀設(shè)下陷阱，派人追殺滅口。阿海駕車與殺手快艇相撞……三人失散，數(shù)年后，他們?cè)谙愀壑鼐?，阿海“癱瘓”住在朱江家里，阿占和紅豆已經(jīng)結(jié)婚了。曾江又逼他們?nèi)ネ诞嫛?/p>
郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
港之光
館博,尾上真秀,真榮田鄉(xiāng)敦,黑島結(jié)菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平由藤井道人執(zhí)導(dǎo)并編劇、與館博二度合作的本片《港之光》，以北陸港口小鎮(zhèn)為背景，描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中，大叔通過“某種方法”籌措資金使幸太重見光明，但彼時(shí)大叔已不在身邊。成長(zhǎng)為青年的幸太相信著“其實(shí)大叔曾是刑警”這個(gè)小小謊言，如同追逐給予自己光明的憧憬之人般，成為了刑警。館博飾演化名三浦的“大叔”，歌舞伎界新星尾上真秀首登銀幕出演少年幸太，真榮田鄉(xiāng)敦詮釋青年幸太。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超能計(jì)劃
杰米·福克斯,約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機(jī)關(guān)槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達(dá)索在新奧爾良的街道上，關(guān)于神秘新藥丸的消息開始傳播開來，這種藥丸可以解鎖每位使用者獨(dú)特的超能力。但問題是：在服用之前，沒人知道用藥后會(huì)發(fā)生什么。一些人會(huì)進(jìn)化出防彈皮膚、隱形能力和超強(qiáng)力量，也有很多人會(huì)表現(xiàn)出更致命的反應(yīng)。但是，當(dāng)藥丸使城市內(nèi)的犯罪升級(jí)到危險(xiǎn)水平時(shí)，當(dāng)?shù)鼐欤s瑟夫·高登-萊維特飾）與一名少女小販（多米尼克·菲什巴克飾）和誓報(bào)私仇的退伍士兵（杰米·?？怂癸棧┞?lián)手以硬碰硬，他們冒著服用藥丸的風(fēng)險(xiǎn)，以追蹤并制止制造出該藥丸的團(tuán)隊(duì)。