武林皇后

　　克萊兒（莎拉·派克斯頓 Sara Paxton 飾）和盧克（派特·希利 Pat Healy 飾）是一家有著悠久歷史的洋基旅舍（Yankee Pedlar）的店員，無(wú)盡長(zhǎng)夜中，兩人插科打諢，海闊天空神聊，順便應(yīng)付各種各樣的客人。這家旅舍以鬧鬼著稱，傳說(shuō)曾有個(gè)名叫瑪?shù)铝铡W馬利的新娘，在旅舍舉行婚禮的當(dāng)天上吊自殺。店主害怕影響生意，于是偷偷藏起尸體長(zhǎng)達(dá)三天時(shí)間。事發(fā)后店主引起民眾的憤慨，而鬧鬼的傳言也不脛而走。克萊兒與盧克架起攝像機(jī)拍攝旅社的超自然畫面，并試圖探訪鬼魂的真面目，這個(gè)糟糕的決定將他們帶入萬(wàn)劫不復(fù)……　　本片榮獲2011年尖叫電影節(jié)（Screamfest）最佳配樂(lè)獎(jiǎng)、2011年多倫多午夜電影節(jié)特別獎(jiǎng)觀眾選擇最恐怖影片。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí)，她很快發(fā)現(xiàn)演奏音樂(lè)會(huì)帶來(lái)致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺(jué)醒的邪惡。

營(yíng)銷高管布拉德與伊萊賈，為拿下世界杯頂級(jí)贊助，提出了一個(gè)大膽到離譜的避孕套品牌合作提案。本以為能一戰(zhàn)成名，卻因一場(chǎng)酒后失控的丑聞，徹底淪為全民公敵。為了保住性命、全身而退，兩人被迫開(kāi)啟橫跨全球的瘋狂逃亡，在體育營(yíng)銷界的亂象中，用更瘋狂的操作，躲過(guò)接踵而至的麻煩與追殺。