公主2005

6.0 播放:33萬 更新:2026-04-28
主演: Candela Pe?a Micaela Nevárez Mariana 

Friendship暫無內(nèi)容and暫無內(nèi)容love暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容world暫無內(nèi)容of暫無內(nèi)容prostitution暫無內(nèi)容in暫無內(nèi)容Madrid.

即刻觀影

劇情賞析

Friendship暫無內(nèi)容and暫無內(nèi)容love暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容world暫無內(nèi)容of暫無內(nèi)容prostitution暫無內(nèi)容in暫無內(nèi)容Madrid.

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抖擻

馬克·沃爾伯格,保羅·沃爾特·豪澤,薩莎·拜倫·科恩,本杰明·布拉特,盧西亞諾·薩法爾,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香儂,切爾茜·克里斯普,埃里克·安德烈,杰克森·托澤爾,亨利埃塔·阿梅沃爾,阿貝·法雷利,瑞恩·謝爾頓,娜塔麗·奧利維拉,提亞戈·莫拉斯,斯隆·費(fèi)希爾,詹尼·德古拉,朱麗安娜·卡斯特羅,伊恩·阿達(dá)姆森

營銷高管布拉德與伊萊賈,為拿下世界杯頂級(jí)贊助,提出了一個(gè)大膽到離譜的避孕套品牌合作提案。本以為能一戰(zhàn)成名,卻因一場酒后失控的丑聞,徹底淪為全民公敵。為了保住性命、全身而退,兩人被迫開啟橫跨全球的瘋狂逃亡,在體育營銷界的亂象中,用更瘋狂的操作,躲過接踵而至的麻煩與追殺。

咒書遠(yuǎn)古魔

Amir Nafis,Bidin Al Zaifa

  Two friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

四十而惑

保羅·路德,萊斯利·曼恩,杰森·席格爾,克里斯·奧多德,梅根·??怂?梅麗莎·麥卡西,莉娜·鄧納姆,艾伯特·布魯克斯

  《一夜大肚》中的夫妻皮特(保羅·路德 Paul Rudd 飾)與黛比(萊斯利·曼恩 Leslie Mann 飾)如今年過四十,雖然黛比已經(jīng)擁有一個(gè)不錯(cuò)的精品店,皮特也開了自己的唱片公司,然而生活的暗礁還是漸漸圍困了這個(gè)家庭:不僅皮特開始需要借助“偉哥”,兩人的父母也年歲漸衰,需要供養(yǎng),皮特的唱片店近來也在艱難維系,兩個(gè)還在上學(xué)的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳?zāi)沟耐瑫r(shí),連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后,終于決定要挽救自己的婚姻,而此時(shí),她已經(jīng)懷上了皮特的第三個(gè)孩子……  本片為導(dǎo)演在2007年的喜劇電影《一夜大肚》的一個(gè)獨(dú)立續(xù)集。

熱情洋溢

瑞安·雷諾茲,威爾·法瑞爾,奧克塔維亞·斯賓瑟,蘇妮特·瑪尼,帕特里克·佩奇,艾米·卡里諾,喬·蒂皮特,詹·塔洛克,P·J·伯恩,阿納斯塔西婭·薩尼多普洛斯·穆西斯,尼克·巴加,比利·康查,Woody Fu,瑪麗·安·紹布,瑪塞拉·賈拉米洛,羅布·勒維克,Heidi Garza,Amanda Cleghorn,Marilyn Swick,Alison Weller,Marlow Barkley

  一個(gè)音樂劇版本的查爾斯·狄更斯的《圣誕頌歌》,一個(gè)吝嗇的厭世者被帶上了一個(gè)神奇的旅程。

日出1927

喬治·奧布萊恩,珍妮·蓋諾,瑪格麗特·利文斯頓,波蒂爾·羅辛,J·法瑞爾·麥克唐納,Ralph Sipperly,簡·維頓,阿瑟·豪斯曼,Eddie Boland,赫爾曼·賓 ,西德尼·布雷西,基諾·科拉多,Vondell Darr,薩利·艾勒斯,吉布森·格沃蘭德,Fletcher Henderson,Thomas Jefferson,鮑勃·科特曼,F·W·茂瑙,Barry Norton,羅伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李?yuàn)W·懷特,Cla

 盛夏的度假時(shí)節(jié),一位城市女人來到鄉(xiāng)下滯留,這期間,城市女人誘惑了當(dāng)?shù)氐霓r(nóng)夫并教唆他殺死自己的妻子(Janet Gaynor 飾)以便販賣掉農(nóng)莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時(shí)光,他將妻子帶到河面蓄謀加害,卻在要下毒手時(shí)幡然悔悟,傷心的妻子踏上了進(jìn)城的列車,男人窮追不舍一同抵達(dá)城市。城市里真正是一片花花世界呵,這對(duì)夫妻在街上游走玩樂,在那些小小的玩笑中,甜蜜的冒險(xiǎn)中,他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村,不料卻在歸途遇上了肆虐的風(fēng)浪……本片是德國導(dǎo)演茂瑙赴美發(fā)展后拍攝的第一部作品,曾被多家權(quán)威媒體評(píng)選為默片最佳杰作之一,獲第一屆奧斯卡最佳女演員、攝影等多項(xiàng)褒獎(jiǎng)。