暗戀你
街頭霸王創(chuàng)作者 Sam 編寫(xiě)了最新之游戲軟件后, 回來(lái)家園渡假, 香港及菲律賓兩大電腦公司為搶奪代理權(quán)趕赴馬尼拉找 Sam. 香港代表 Ben 與菲律賓代表 Lisa 在機(jī)場(chǎng)接到的竟是 Dickson, 本來(lái) Sam 不欲公務(wù)打擾假日, 以幫手 Dickson 代替. Lisa 為人傲慢及決斷, Sam 漸對(duì)她愛(ài)慕, 但不敢向她表達(dá); Lisa 幫手欲暗里獲得代理權(quán), 布下狡計(jì)令 Ben 與 Lisa 流落荒島. Ben 與 Lisa 在荒島上風(fēng)雨同舟, 而發(fā)生愛(ài)意, Sam 得知二人失蹤即出海把二人解救, Sam 把二人救返后, 本相大露. Ben 與 Sam 一起愛(ài)上 Lisa, 最終 Lisa 挑選了 Sam, Ben 認(rèn)為此行徹底失利, 但公私分明的 Sam 將代理權(quán)交給 Ben 發(fā)行.
劇情簡(jiǎn)介
街頭霸王創(chuàng)作者 Sam 編寫(xiě)了最新之游戲軟件后, 回來(lái)家園渡假, 香港及菲律賓兩大電腦公司為搶奪代理權(quán)趕赴馬尼拉找 Sam. 香港代表 Ben 與菲律賓代表 Lisa 在機(jī)場(chǎng)接到的竟是 Dickson, 本來(lái) Sam 不欲公務(wù)打擾假日, 以幫手 Dickson 代替. Lisa 為人傲慢及決斷, Sam 漸對(duì)她愛(ài)慕, 但不敢向她表達(dá); Lisa 幫手欲暗里獲得代理權(quán), 布下狡計(jì)令 Ben 與 Lisa 流落荒島. Ben 與 Lisa 在荒島上風(fēng)雨同舟, 而發(fā)生愛(ài)意, Sam 得知二人失蹤即出海把二人解救, Sam 把二人救返后, 本相大露. Ben 與 Sam 一起愛(ài)上 Lisa, 最終 Lisa 挑選了 Sam, Ben 認(rèn)為此行徹底失利, 但公私分明的 Sam 將代理權(quán)交給 Ben 發(fā)行.
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陰目偵信
梁業(yè),何啟華,郭嘉駿,吳保锜,周家怡,葛民輝,太保,羅永昌,張達(dá)倫,譚旻萱改編自同名熱門(mén)恐怖小說(shuō)的電影《陰目偵信》發(fā)布先導(dǎo)預(yù)告，陰目征信社接到新Case了？ 原著講述從小擁有陰陽(yáng)眼的石頭成長(zhǎng)過(guò)程十多年來(lái)與鬼為鄰，見(jiàn)盡生死相隔、人鬼殊途。身為香港首富伍氏豪門(mén)的子嗣，伍伯良身負(fù)家族世代相傳、不可告人的驚天秘密。大學(xué)猛鬼宿舍，時(shí)辰一到，石頭與新結(jié)識(shí)的伍伯良和怪人PATRICK，能否合力阻止鬼門(mén)大開(kāi)？
愛(ài)爾蘭式告別
米歇爾·費(fèi)爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
航越地平線
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六度戰(zhàn)栗
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追惡
釋小龍,王真兒,劉峰超,劉怡潼山村拐賣猖獗，警察池峰孤身潛入尋兇，地窖救人、村民暴動(dòng)、夜總會(huì)血戰(zhàn)，誓要以暴制暴守衛(wèi)法律公道。