邊界線
A暫無內(nèi)容woman暫無內(nèi)容with暫無內(nèi)容borderline暫無內(nèi)容personality暫無內(nèi)容disorder暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容escape暫無內(nèi)容from暫無內(nèi)容her暫無內(nèi)容emotional暫無內(nèi)容past暫無內(nèi)容in暫無內(nèi)容this暫無內(nèi)容disturbing暫無內(nèi)容portrait暫無內(nèi)容about暫無內(nèi)容mental暫無內(nèi)容illness.暫無內(nèi)容A暫無內(nèi)容box暫無內(nèi)容office暫無內(nèi)容smash暫無內(nèi)容in暫無內(nèi)容its暫無內(nèi)容native暫無內(nèi)容Quebec,暫無內(nèi)容this暫無內(nèi)容film暫無內(nèi)容tackles暫無內(nèi)容themes暫無內(nèi)容of暫無內(nèi)容familial暫無內(nèi)容madness暫無內(nèi)容and暫無內(nèi)容addictions.
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浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊艾瑪在夜深人靜的時(shí)候被帶走了，渾身是瘀傷，意外懷孕了。在婦女庇護(hù)所找到了一個(gè)新家，她重新發(fā)現(xiàn)了自己失去的一面。在住在避難所的婦女和兒童中，個(gè)人創(chuàng)傷交織在一起。盡管他們有分歧，但一種微妙的姐妹情誼出現(xiàn)了?！耙徊筷P(guān)于女性為自尊和獨(dú)立而戰(zhàn)的電影，面對一個(gè)剝奪她們發(fā)言權(quán)的世界。這部電影將觀眾帶到了一個(gè)女性避難所的墻壁后面，向他們展示了一個(gè)令人驚訝的充滿活力的世界，那里的生活正在重建。如果有痛苦，也有力量、快樂和希望。角色和他們的故事植根于真實(shí)的經(jīng)歷和情感，由演員和非演員共同扮演。情感誠實(shí)至關(guān)重要”。導(dǎo)演的筆記。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
忌怪島
西畑大吾,山本美月,生駒里奈,當(dāng)真亞美,平岡祐太,水石亞飛夢,川添野愛,禱云母,大谷凜香,笹野高史,伊藤步,灘儀武本片將聚焦如今頗受關(guān)注的“元宇宙世界”。VR研究小組成員一個(gè)個(gè)因?yàn)椴幻鞯脑蛩劳?，孤島上“紅色女”的咒怨被解禁，慘劇拉開序幕。
萊姆豪斯的殺人魔
奧利維亞·庫克,比爾·奈伊,道格拉斯·布斯,埃迪·馬森,瑪利亞·瓦沃德,薩姆·里德,亞當(dāng)·布朗,戴維·鮑姆伯,保羅·里特,丹尼爾·梅斯,馬克·坦迪,摩根·華金斯,彼得·蘇利文,亨利·古德曼,達(dá)米安·托馬斯改編自彼得·克羅伊德小說《丹·雷諾和萊姆豪斯的殺人魔》。講述1880年倫敦的萊姆豪斯區(qū)發(fā)生謀殺案，人們認(rèn)為這是古老生物石巨人所為，但真相另有隱情。
殺人漫畫
嚴(yán)基俊,李施吟,金顯祐,吳光祿當(dāng)紅網(wǎng)絡(luò)恐怖漫畫作家姜知允（李詩英 飾）新作接連問世，備受好評。而生活中她似乎越來越分不清現(xiàn)實(shí)和虛幻的界限，不僅經(jīng)常遭遇極度逼真的恐怖噩夢，身上還常出現(xiàn)莫名其妙的傷口。某個(gè)夜晚，姜作家的責(zé)編徐美珍以極其殘忍的方式自虐身亡，而其死亡過程和現(xiàn)場慘狀竟與姜作家不久剛剛發(fā)給她的新作內(nèi)容如出一轍。未過多久，又發(fā)生了一起和漫畫內(nèi)容相似的殯儀館殺人事件。盆唐警局刑警琪哲（嚴(yán)基俊 飾）和后輩金永秀（金顯祐 飾）介入調(diào)查，并慢慢追蹤到姜作家鮮為人知的背景?！ ∧藓鐭粝鹿碛按贝?，每個(gè)人心中都有不愿為人知曉的秘密，冤有頭，債有主。因果報(bào)應(yīng)，毫厘不爽……
浴火之森
貝倫·奎斯塔,戴安娜·戈麥斯,恩里克·奧克爾,華金·弗里爾失去丈夫后，瑪格達(dá)帶著女兒萊德前往森林中的避暑別墅，準(zhǔn)備將其出售。這原本是為了治愈創(chuàng)傷的第一步，卻因萊德失蹤和突發(fā)森林大火而發(fā)生了意外轉(zhuǎn)折。