永遠愛我或不再愛我

　　一群十幾歲的少年慶祝一個本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個困擾的城市傳說的現(xiàn)實面對面。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

 遠離家鄉(xiāng)的租客鐘不凡（彭昱暢 飾）被老房東任爹（成龍 飾）誤識成離家多年的兒子，囊中羞澀的鐘不凡不得不與獨自漂泊的租客蘇曉月 (張佳寧 飾)、斜杠中年房屋中介賈爺 (潘斌龍 飾)、對任爹關懷備至的鄰居金珍姑 (李萍 飾)相聚在同一屋檐下，不是一家人，硬進一家門。當鐘不凡被任爹不定時發(fā)作的糊涂折磨得死去活來時，卻發(fā)現(xiàn)了老人深藏多年的秘密……

　　在金融中心如矣島從事股票基金工作的黃宇真外表光鮮，但生活究竟怎樣苦樂自知。從小獨自撫養(yǎng)他長大的父親病重在床，巨大的生活壓力令他不得不向高利貸借款，卻又似乎背上更為沉重的包袱。在此期間，他和妻子的關系逐漸冷淡，并出現(xiàn)裂痕；而老實木訥的他在公司又受到部長和后輩排擠，面臨被裁員的命運，　　在某個沮喪的夜晚，醉酒而歸的黃宇真重逢兒時的玩伴正勛。正勛從小自稱正義的化身，他多次幫助宇真排憂解難。當晚，宇真一句無心之言，次日后輩竟被人殺害，而他的事業(yè)似乎也出現(xiàn)了轉(zhuǎn)機。在此之后，接連有令宇真厭煩的人離奇死亡，似乎那個正義的朋友暗中出手幫助了他……