床第水手

　　Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.

　　安吉拉（珍妮·蓋諾 Janet Gaynor 飾）的母親身患重病，急需藥物進(jìn)行治療。生活在窮困潦倒之中的安吉拉無奈之下只能行竊救命，她的舉動自然遭到了警方的通緝和追捕，安吉拉就此踏上了逃亡的旅途?！　⊥局?，安吉拉來到了一個馬戲團(tuán)之中，隱姓埋名成為了其中的一名演員，這正好幫助她拜托了警方的糾纏。在馬戲團(tuán)中，安吉拉邂逅了名為基諾（查爾斯·法萊爾 Charles Farrell 飾）的年輕畫家?；Z雖然有著一身的才華卻依舊只是一個名不見經(jīng)傳的無名畫家，安吉拉的出現(xiàn)激發(fā)了他的靈感，幫助他取得了事業(yè)上的成就，墜入愛河的兩人決定結(jié)婚，但在婚禮舉行之際，警方還是發(fā)現(xiàn)了安吉拉的蹤跡。

　　這是一種名叫康普茶的飲料，它可以改變?nèi)说乃季S，使員工工作到死。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster