赤色教室
入選所評選的日本二十世紀佰大名片的經(jīng)典電影 一名年輕釹子在學校的走廊里遇到一伙暴徒,祂們把她抓進一間教室里實施輪奸,正緊張間,突然燈光亮起,原來是一群鈡年侽人在看色情電影。觀眾鈡的村木是一本S M雜志的老板,祂一眼就噯上了影片鈡扮演那個年輕釹子的演員。一個間或的機會,村木尋到了這個叫土屋名美的釹人,但卻發(fā)覺對方原來是個妓釹,這令祂非常失望,不過祂還是約她第二天晚上在公園見面。但不料第二天村木因為涉嫌利用未成年少釹進行色情活動而被警方拘捕,土屋名美在雨鈡等到很晚不見人來,于是便和在酒吧里認識的陌生侽人回了家。三年后,村木有了一個叫名美的釹兒,一天外出工作時,祂在一家酒吧門口又遇見了在那里賣y-的土屋名美
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多力特的奇幻冒險
小羅伯特·唐尼,湯姆·赫蘭德,拉米·馬雷克,麥克·辛,杰西·巴克利,艾瑪·湯普森,拉爾夫·費因斯,安東尼奧·班德拉斯,瑪麗昂·歌迪亞,賽琳娜·戈麥斯,約翰·塞納,卡門·艾喬戈,庫梅爾·南賈尼,奧克塔維亞·斯賓瑟,拉爾夫·伊內(nèi)森,吉姆·布勞德本特,克雷格·羅賓森,弗朗西斯·德·拉·圖瓦,卡夏·斯穆特尼亞克,奧利弗·庫珀史密斯,尼克·穆罕默德,托尼婭·科妮斯,薩克·霍蘭,納西爾·賈瑪,貝恩·科拉科,約瑟夫·巴德拉瑪,薩姆森·卡約,史蒂芬·薩姆森,塔希爾·布爾漢,保羅·霍洛瓦蒂故事發(fā)生在英國維多利亞女王(杰西·巴克利 Jessie Buckley 飾)統(tǒng)治時期,多力特(小羅伯特·唐尼 Robert Downey Jr. 飾)擁有著能夠和動物交談的特殊能力,和妻子一起在老家經(jīng)營著一家動物醫(yī)院?! ∫粓鲆馔鈯Z走了多力特妻子的生命,這巨大的打擊讓多力特封閉起了心門,拒絕和任何人類接觸。一天,一個名叫湯姆(哈里·科萊特 Harry Collett 飾)的男孩闖入了多力特的家,帶來了一只受傷的松鼠,希望多力特能夠救它。與此同時,維多利亞女王患上了一種怪病,于是派出了侍女蘿絲(卡梅爾·拉尼亞多 Carmel Laniado 飾)去拜訪多力特,請他出山。多力特所擁有的動物莊園歸屬于女王的名下,如果女王去世了,那么多力特將失去他和動物們這唯一的樂園。
像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣,是愛嗎?阿妹天生患有腦性麻痹,性格卻異常跳脫樂觀,閑時會約朋友踩板吹水,畫畫作樂,二十多年來一直努力不被身體耽誤??墒沁^度保護的母親堅決安排她進行子宮切除手術(shù),阿妹努力建立的生活再次失去平衡,她的身體永遠是不由自主的。在朋友推薦下,阿妹找到了一個專為殘疾人士提供性服務的自發(fā)組織,并認識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂,那日漸累積的情愫沖淡了道德與身體的羈絆,這樣的關系,是愛嗎? 譚惠貞繼《以青春的名義》(第14屆開幕電影)后第二部長片作品,將愛情元素和身障者性權(quán)益議題融合,成就一個道德探索與自我尋找的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火車司機日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚科維奇,達妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克每個火車司機在職業(yè)生涯中會撞死20多人,這些死者通常是因為尋死、失誤、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機,他共撞死了28人。他19歲的養(yǎng)子西瑪繼承了他的工作,西瑪非常擔心自己也會撞死人,而老司機們都安慰他說,一周內(nèi)就會發(fā)生,但是幾周過去后,沒有發(fā)生一起撞人事故,而這也使得他精神極度緊繃。伊利亞為了幫助他,找到了許多想要自殺的人,讓他們跳到車軌上自殺,但是最終這些人都放棄了自殺的念頭。無奈之下,伊利亞自己躺在了車軌上想用自身的死來拯救西瑪…
梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒梅根斯和艾米性格迥異,卻成為了最好的朋友。一天梅根在網(wǎng)絡聊天室里遇見男孩喬希,兩人一投即合。然而,梅根在去見喬希后神秘消失,艾米于是竭盡全力尋找好朋友。(文/life_is_good@YDY)
火影忍者劇場版:博人傳
三瓶由布子,菊池心,木島隆一,竹內(nèi)順子,中村千繪,杉山紀彰,早見沙織,水樹奈奈,小野賢章,森久保祥太郎,阿部敦,日野聰,高橋英則,田村由香里,增川洋一,石田彰,竹內(nèi)良太,宮田幸季,武田華,浪川大輔,安元洋貴,江川央生,菊本平,河西健吾,河合海,竹內(nèi)絢子,奧村翔,玄田哲章漩渦博人(三瓶由布子 Yuko Sanpei 配音)雖然是七代火影漩渦鳴人(竹內(nèi)順子 配音)的兒子,但是他并不以父親為榮,父子間充滿了誤會。博人為了打敗父親,準備拜師宇智波佐助(杉山紀彰 配音),與此同時,博人與佐助的女兒佐良娜(菊池心 配音)、三月(木島隆一 飾)組成了小隊,共同參加下影的考試。下影考試開始,博人求勝心切,不料考試途中,神秘反派大筒木桃式、金式發(fā)動了突然襲擊,鳴人為了保護木葉村陷入了危機。博人開始重新認識這個父親,和佐助、我愛羅等父親的老朋友開始了拯救鳴人的戰(zhàn)斗。