即刻觀影
劇情賞析
編輯推薦
開麥了嗎？
威爾·阿奈特,布萊德利·庫珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox經(jīng)過多年的共同生活，亞歷克斯和苔絲最終和平地結(jié)束了他們的婚姻，也由此開啟了一個尷尬的階段：他們開始摸索如何在各自獨(dú)立生活的同時，撫養(yǎng)兩個兒子，并維持彼此的友誼。亞歷克斯發(fā)現(xiàn)了自己新的愛好，投身于喜劇表演之中，而苔絲則開始直面自己為家庭做出的犧牲。本片根據(jù)英國著名喜劇演員約翰·畢曉普的人生經(jīng)歷改編。
少女椿
中村里砂,風(fēng)間俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鳥居美雪,鳥肌實故事發(fā)生在繁華的大都市東京，十四歲的少女阿綠（中村里砂 飾）失去了唯一的親人，孤苦無依的她在誤打誤撞之中走進(jìn)了名為“赤貓座”的巡回馬戲團(tuán)中，就此拉開了悲慘人生的序幕。無處可去的阿綠在馬戲團(tuán)中受盡了眾人的凌辱和折磨，淪為奴隸和傭人，日子過得苦不堪言，每一天都是地獄般的寫照 ?！ 【驮诎⒕G快要絕望之時，侏儒魔術(shù)師出現(xiàn)在了馬戲團(tuán)中，出現(xiàn)在了她的眼前。侏儒魔術(shù)師的出現(xiàn)讓快要倒閉的馬戲團(tuán)重現(xiàn)生機(jī)，他亦成為了馬戲團(tuán)中最重要的成員。與此同時，阿綠在魔術(shù)師的身上找到了久違的溫暖和感情，兩人決定結(jié)婚，雙雙逃離這充滿了痛苦的魔窟。
這就是我2026
望月春希,齋藤工主人公賢示自幼飽受性別認(rèn)同困擾，卻始終未放棄成為偶像的夢想。醫(yī)生和田在與賢示相遇后，首次直面性別認(rèn)同障礙的現(xiàn)實，并以賢示為首例親自主刀的性別重置手術(shù)患者。一個選擇活出自我，一個探索“真正的醫(yī)療”，兩人在偏見與孤獨(dú)中建立起深厚信任與羈絆。 本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術(shù)之門的真實故事。
不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonLucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
于特島7月22日
安德烈·伯恩森,亞歷山德·霍爾門,布瑞德·福里斯達(dá),艾麗·瑞亞儂·穆勒·奧斯本,蘇陸士·薩達(dá)特,馬格努斯·莫恩,張?zhí)靥m在2011年的7月21日那天，650個年輕人正在于特島上參加夏令營，他們剛剛得知一個令人震驚的消息，奧斯陸的一座政府大樓被一個全副武裝的右翼激進(jìn)份子炸毀，接著激進(jìn)分子就來到了于特島。影片將跟隨一名叫卡佳（Kaja）的小女孩，在聽到了激進(jìn)分子的第一聲槍響后，令人窒息的72分鐘生存掙扎。影片根據(jù)真實事件改編，于特島慘案是自第二次世界大戰(zhàn)以來全球最嚴(yán)重的單人犯罪槍擊案。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster