下女的誘惑

? 6.7 播放：26萬 2026-04-28

(2016)，韓國上世紀(jì)30年代，日本占領(lǐng)期間。一位年輕的少女（金泰璃 飾）受雇到一位富有的日本小姐（金敏喜 飾）家中當(dāng)女傭。后者在一座巨大的莊園內(nèi)生活，并受專橫的叔叔看管。但這位女傭卻有一個秘密。在一個假扮日本伯爵（河正宇 飾）的騙子的幫助下，他們?yōu)樾〗阍O(shè)下了其他圈套 　

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劇情提要

(2016)，韓國上世紀(jì)30年代，日本占領(lǐng)期間。一位年輕的少女（金泰璃 飾）受雇到一位富有的日本小姐（金敏喜 飾）家中當(dāng)女傭。后者在一座巨大的莊園內(nèi)生活，并受專橫的叔叔看管。但這位女傭卻有一個秘密。在一個假扮日本伯爵（河正宇 飾）的騙子的幫助下，他們?yōu)樾〗阍O(shè)下了其他圈套 　

幕后花絮

曼克

 隨著赫爾曼·J·曼凱維奇爭分奪秒地完成奧遜·威爾斯的《公民凱恩》劇本，人們將通過這位尖刻的社會評論家兼嗜酒編劇的視角，重新審視 20 世紀(jì) 30 年代的好萊塢。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster