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劇情提要
二戰(zhàn)結(jié)束，時(shí)間流逝，伊莎找到了新雇主，受命于一個(gè)主人喜歡進(jìn)口少女當(dāng)作性奴的阿拉伯家族。一位美國(guó)百萬(wàn)富翁的女兒，一位電影明星和一位嫵媚動(dòng)人的馬術(shù)教練都是他的最新犧牲品。
暗夜精選
正義聯(lián)盟：無(wú)限地球危機(jī)(下)
凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒大盜演
李燦森,姜文杰,詹瑞文,秦沛,曾美慧孜,樂瞳,胡慧沖,何華超,楊梓菁,唐貝詩(shī),鄺家瑜,潘伯仲,邱芷微,余曉彤,湯加文,田啟文,吳云甫,林慧倩,鄭詠謙名偵探柯南：獨(dú)眼的殘像
高山南,山崎和佳奈,小山力也,速水獎(jiǎng),高田裕司,小清水亞美,草尾毅,飛田展男,高木涉,湯屋敦子,茶風(fēng)林,岸野幸正,綠川光,山田孝之,山下美月寫寫畫畫
永野芽郁,大泉洋,見上愛,畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長(zhǎng)井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達(dá)夫,景瓷,艾然最后的日出
張玨,張苒永恒站
邁爾斯·特勒,伊麗莎白·奧爾森,卡勒姆·特納,約翰·厄爾利,達(dá)明·喬伊·倫道夫,貝蒂·巴克利,杰夫·?？?潘塔·莫斯勒,布雷迪·德魯利斯,歐嘉·梅雷迪斯,塞巴斯蒂安·比林斯利-羅德里格斯,諾亞·布羅姆利,歐佳·佩斯塔,珍妮·克魯?shù)贍?巴里·普賴默斯,埃里克·高,露西·特恩布爾,大衛(wèi)·Z·科恩,丹尼·麥克,凱爾·沃倫同系列推薦
不死真相
埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾交響詩(shī)篇超進(jìn)化2
眠山怪影
Herbert M. Dawley世外逃劫
錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科明日回游
李貝貝,郝正,田鈊,馮丹菊崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
湯姆·賽格拉：好為人師
Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere