団鬼六：花蛇

★ 9.3 播放：02萬 更新：2026-04-26

由日本著名情色作家團鬼六作品改編，左是經典情色電影《花與蛇》系列的第四部沿襲系列的風格，本的SM震撼場面有增無滅。大庭秀紀是一名英俊有為的牙醫(yī)，但多年來仍然單身。他一直將護士直江當作性奴隸，亦從麻醉女性病人而獲得性滿足。當他遇上年青美麗的美貴，即情不自禁在她身上發(fā)洩滿腔慾火。但原來美貴和她的師傅伊藤夫人是對同性戀。大庭的色心越來越失控，他不單將美貴囚禁起來作私人性奴，連伊藤夫人。亦逃不過他的魔掌目睹一場惢一場厲害的SM角力和同性性愛高，直江妒火中燒，憤而將大庭的眼狠狠弄傷暫無內容hellip;暫無內容hellip;

在線播放

劇情簡介

由日本著名情色作家團鬼六作品改編，左是經典情色電影《花與蛇》系列的第四部沿襲系列的風格，本的SM震撼場面有增無滅。大庭秀紀是一名英俊有為的牙醫(yī)，但多年來仍然單身。他一直將護士直江當作性奴隸，亦從麻醉女性病人而獲得性滿足。當他遇上年青美麗的美貴，即情不自禁在她身上發(fā)洩滿腔慾火。但原來美貴和她的師傅伊藤夫人是對同性戀。大庭的色心越來越失控，他不單將美貴囚禁起來作私人性奴，連伊藤夫人。亦逃不過他的魔掌目睹一場惢一場厲害的SM角力和同性性愛高，直江妒火中燒，憤而將大庭的眼狠狠弄傷暫無內容hellip;暫無內容hellip;

導演精選

超級精英

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義蓋云天

　　港生（王祖賢 飾）從大陸偷渡至香港，一路顛簸還被蛇頭欺辱，搏斗過程中將蛇頭打傷才逃脫出來，但外面的世界同樣令她感到陌生惶恐。她起初預備投靠自己的姨媽，卻遭到姨媽拒絕且冷言諷刺港生，而姨父則垂涎其美色，港生只得離開姨媽家再次流落街頭。督查何定邦（周潤發(fā) 飾）和祥仁（呂方 飾）追捕白粉雄，白粉雄駕車沖出街道撞倒了路邊的港生。港生在醫(yī)院蘇醒以后害怕身份敗露被送回大陸，靈機一動謊稱自己腦部受傷得了失憶癥，還“認準”何定邦就是其丈夫偉雄。心性善良的定邦只得將港生接回家中暫住，二人關系日漸改變，但港生“偷渡客”的身份卻像兩人關系中的定時炸彈時時刻刻存在著……

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.