劇情簡介
反對結(jié)婚的預(yù)備岳母生氣的娜米諾讓朋友太郎勾引她。丈夫死后，他打算秘密拍攝10年來一直在自我妨礙的預(yù)備長發(fā)的性愛錄像，恐嚇丈夫。但是，tarao被預(yù)備長發(fā)的華麗技術(shù)和充滿感官的溫飽所淹沒，納米野的計劃遭到了挫折。
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定格惡魔
艾斯琳·弗蘭喬茜,斯特拉·古奈特,湯姆·約克,凱奧林·斯普林加爾,詹姆斯·斯旺頓,Joshua J Parker,Jaz Hutchins,Bridgitta Roy一位定格動畫師，在失去專橫的母親后，正在努力控制自己內(nèi)心的的惡魔。她孤身一人，開始創(chuàng)作一部令人毛骨悚然的定格動畫電影，這部電影很快就成為她理智的戰(zhàn)場。當她的精神開始崩潰時，她的動畫電影中的角色有了自己的意志，她釋放的想象力威脅著摧毀她的生活。
超級黑暗時代
歐文·坎貝爾,查理·塔漢,伊麗莎白·卡布奇諾,馬克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亞·雷諾克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi故事發(fā)生在上世紀90年代的一個美國小鎮(zhèn)上。扎克和喬西從童年時就是最好的朋友，他們每天一起騎車上下學(xué)，放學(xué)后一起玩耍，甚至喜歡上同一個女孩。然而平靜的生活在某天下午被徹底打破了。聚會因大麻而失控，朋友達里爾在教室里失血過多身亡，男孩們恐慌無措地要彼此發(fā)誓保密，扎克簡單的生活仿佛被撕開了一道巨大的口子，整日被罪惡感壓迫地喘不過氣，喬西則索性不再上學(xué)，甚至不再走出家門一步。曾經(jīng)密不可分的兩個男孩在數(shù)日后便產(chǎn)生了不可逾越的鴻溝……
初始者
什恩·卡魯斯,大衛(wèi)·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat獲得第24屆圣丹斯電影節(jié)劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發(fā)明了一臺查錯儀器，卻意外地發(fā)現(xiàn)這臺儀器擁有強大的商業(yè)價值，最終四人相互爭斗的局面。《雷管》是導(dǎo)演什恩-卡魯斯(ShaneCaruth)首次執(zhí)導(dǎo)的劇情長片，該片由他自己投資，并身兼編劇、導(dǎo)演、主演數(shù)職，體現(xiàn)出獨立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當于一輛富康車的價錢……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外出時刻
羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia羅蘭·拉菲特([她])、艾瑪紐爾·貝克特([我的國王])主演新片[外出時刻]( L’heure de la sortie，暫譯)進入拍攝后期。本片由塞巴斯蒂安·馬赫尼耶自編自導(dǎo)。故事講述皮埃爾因一位年輕老師自殺，作為填補進入圣·約瑟夫?qū)W院工作。他很快發(fā)現(xiàn)這里青少年散發(fā)著一種敵意。本片預(yù)計8月2日殺青。
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·?？怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里故事發(fā)生在一間專門面向歌劇退休演員開放的養(yǎng)老院里，維爾福（比利·康諾利 Billy Connolly 飾）、雷吉（湯姆·康特奈 Tom Courtenay 飾）和茜茜（寶林·科林斯 Pauline Collins 飾）是那里的明星居民。每一年，這三個出色的演唱者都會通過他們的三重唱向社會募集資金，用以維持養(yǎng)老院的運作。雖然養(yǎng)老院的規(guī)模不大，但每一個老人都能在那里找到快樂和安寧?！ 『啠ì敿な访芩?Maggie Smith 飾）的出現(xiàn)打破了眾人寧靜的生活，這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家，同時，她還是雷吉的前妻。受生活所迫，簡不得已住進了這間養(yǎng)老院，前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入，三重唱變成了四重唱，但排練的效果并沒有因為一個得力唱匠的加入而有所提高，麻煩和爭執(zhí)接踵而至。
可怖之事
蘇菲·特納,基特·哈靈頓,馬西婭·蓋伊·哈登,勞倫斯·歐弗林,喬納森·霍華德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard故事發(fā)生在中世紀的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會邊緣掙扎求生。然而，當安妮過去的一位故人從戰(zhàn)場歸來，一位神秘騎士的出現(xiàn)似乎預(yù)示著詛咒的降臨，并威脅著她們所有人的命運。