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像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣，是愛嗎？阿妹天生患有腦性麻痹，性格卻異常跳脫樂觀，閑時(shí)會(huì)約朋友踩板吹水，畫畫作樂，二十多年來一直努力不被身體耽誤?？墒沁^度保護(hù)的母親堅(jiān)決安排她進(jìn)行子宮切除手術(shù)，阿妹努力建立的生活再次失去平衡，她的身體永遠(yuǎn)是不由自主的。在朋友推薦下，阿妹找到了一個(gè)專為殘疾人士提供性服務(wù)的自發(fā)組織，并認(rèn)識(shí)了義工Ken。這無私的相遇仿佛撫慰了兩個(gè)受傷的靈魂，那日漸累積的情愫沖淡了道德與身體的羈絆，這樣的關(guān)系，是愛嗎？ 譚惠貞繼《以青春的名義》（第14屆開幕電影）后第二部長(zhǎng)片作品，將愛情元素和身障者性權(quán)益議題融合，成就一個(gè)道德探索與自我尋找的故事。
我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑刑警周行跟女友陳凱欣求婚前夕，臨時(shí)接獲一起兇殺案通報(bào)，他循線趕到山區(qū)，當(dāng)場(chǎng)逮捕殺人犯李子建，發(fā)現(xiàn)死者居然是他的女友。周行強(qiáng)忍震驚與悲痛，一路追查真相，犯人貴為議長(zhǎng)獨(dú)子，在議長(zhǎng)袒護(hù)下試圖翻案，更自白對(duì)方是自願(yuàn)被殺。更讓周行意外的是，來認(rèn)女友屍體的是一群陌生家屬，她的真實(shí)身份另有其人，案情陷入膠著，女友留下的重重謎團(tuán)，讓往日深情的一切瞬間被摧毀?！ ∑呤?hào)原子繼犯罪影集《追兇500 天》後，再度推出女性心理驚悚懸疑作品，由鄭人碩、蔡淑臻、薛仕凌等主演，改編自知名小說家逢時(shí)同名原著，非典型的「幫助殺人」概念相當(dāng)吸睛，挑戰(zhàn)複雜跳接的時(shí)序劇情，翻轉(zhuǎn)犯罪線索的邏輯，燒腦程度直逼《緝魂》。
圣誕日記
賈斯汀·哈特雷,巴萊特·道斯,艾森斯·阿特金斯,邦妮·比蒂麗婭,詹姆斯·瑞馬爾,安德里婭·舒,Vivian Full,杰夫·科貝特,亞倫·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts小說作家在圣誕節(jié)返鄉(xiāng)整理兒時(shí)故居，遇見了一位正在尋找生母的女人。一本舊日記能解開她們的過往秘密，打開彼此心房嗎？
絕錄求生
吳超,孫驍瀟,吳楚,馮波,王思思,安琥,國(guó)慶,劉波現(xiàn)場(chǎng)網(wǎng)的馬楠（孫驍瀟 飾）和小魚（吳楚 飾）是一對(duì)相戀多年的情侶，馬楠不久在郊外購(gòu)得一處房產(chǎn)，剛好又趕上小魚的生日。于是他叫來同事兼好友張博（吳超 飾）、吳曉（馮波 飾）、龍梅（王思思 飾），為小魚策劃了一次生日派對(duì)，并計(jì)劃向小魚求婚。除了曾與小魚有過露水因緣張博外，整晚的派對(duì)都在歡快的氣氛下進(jìn)行。馬楠家隔壁住著一對(duì)經(jīng)常吵架的夫妻，異常聒噪的吵鬧聲引起吳曉等八卦女的好奇，她們結(jié)伴來到隔壁一探究竟，卻意外發(fā)現(xiàn)恐怖血腥的殺人現(xiàn)場(chǎng)?！ ≡揪妥粝∩俚墓ⅲ藭r(shí)仿佛變成一座巨大的鬼屋。不斷閃爍的燈光，凄厲刺耳的尖叫聲以及喪心病狂的殺人者。一種如瘟疫般的病毒在公寓內(nèi)肆意蔓延……
重度催眠
謝君豪,王杍逸,何杜娟,趙美鈞,韓儲(chǔ)鴿,楊帆三層的獨(dú)棟別墅里女孩發(fā)現(xiàn)了一具尸體，隨后警方及時(shí)趕到，經(jīng)檢查后在案發(fā)現(xiàn)場(chǎng)又陸續(xù)發(fā)現(xiàn)了另外兩名死者，和別墅的主人董醫(yī)生。陳兵帶隊(duì)檢查現(xiàn)場(chǎng)發(fā)現(xiàn)了幾處疑點(diǎn)……幸存的董醫(yī)生經(jīng)過治療逐漸恢復(fù)健康，并在醫(yī)院里向警察說出了一段怪異的經(jīng)歷，雨夜別墅里發(fā)生的一切，都逐漸明朗開來……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster