深藍即是黑

? 2.0 播放：21萬 2026-05-04

喬治（奎姆 middot;古鐵雷茲 Quim Guti eacute;rrez 飾）在父親中風(fēng)之后，不得不擱置自己未來的人生計劃。七年來，他悉心照顧父親，在做看門人工作的同時學(xué)習(xí)商業(yè)學(xué)位課程。他羨慕自己暗戀的女孩娜塔莉亞學(xué)有所成，想要找到一個更好的工作，但卻因為看門人的工作經(jīng)驗屢屢失敗。與父親關(guān)系很糟的哥哥安東尼在監(jiān)獄服刑，愛上一個因為吸毒入獄的美麗女子寶拉（瑪塔埃圖娜 Marta Etura 飾）。寶拉與其它囚犯的男友調(diào)情遇到了麻煩，想通過懷孕進入監(jiān)獄產(chǎn)房而躲避報復(fù)。安東尼剛開始只想和她玩玩，但很快就愛上了她，他想幫助寶拉受孕，卻因為自己的不孕癥而無能為力。于是他讓弟弟喬治定期來監(jiān)獄探訪，幫助寶拉受孕。為了幫助哥哥實現(xiàn)愿望，喬治幫寶拉成功懷孕，卻發(fā)現(xiàn)自己對寶拉產(chǎn)生了感情。喬治決定不再背負責(zé)任包袱，正視自己的愿望，與娜塔莉亞斷絕關(guān)系，等待寶拉的出獄。 　　

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劇情提要

喬治（奎姆 middot;古鐵雷茲 Quim Guti eacute;rrez 飾）在父親中風(fēng)之后，不得不擱置自己未來的人生計劃。七年來，他悉心照顧父親，在做看門人工作的同時學(xué)習(xí)商業(yè)學(xué)位課程。他羨慕自己暗戀的女孩娜塔莉亞學(xué)有所成，想要找到一個更好的工作，但卻因為看門人的工作經(jīng)驗屢屢失敗。與父親關(guān)系很糟的哥哥安東尼在監(jiān)獄服刑，愛上一個因為吸毒入獄的美麗女子寶拉（瑪塔埃圖娜 Marta Etura 飾）。寶拉與其它囚犯的男友調(diào)情遇到了麻煩，想通過懷孕進入監(jiān)獄產(chǎn)房而躲避報復(fù)。安東尼剛開始只想和她玩玩，但很快就愛上了她，他想幫助寶拉受孕，卻因為自己的不孕癥而無能為力。于是他讓弟弟喬治定期來監(jiān)獄探訪，幫助寶拉受孕。為了幫助哥哥實現(xiàn)愿望，喬治幫寶拉成功懷孕，卻發(fā)現(xiàn)自己對寶拉產(chǎn)生了感情。喬治決定不再背負責(zé)任包袱，正視自己的愿望，與娜塔莉亞斷絕關(guān)系，等待寶拉的出獄。 　　

幕后花絮

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

第27天生死劫