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Dan Palmer,Tamaryn Payne,Mark Holden單身請(qǐng)開眼
馬里奧·毛瑞爾,Ploypailin Thangprapaporn,Kidakarn Chatkaewmanee,赫拉達(dá)奈·蘇萬納霍姆,Sriphan Chunechomboon,納查·佳塔潘,茉拉可·劉,Nakhorn Silachai,Sakonrat Woraurai另一個(gè)人
連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton我的野蠻同學(xué)
謝霆鋒,馮德倫,容祖兒,彭敬慈,鐘兆康,余家豪,吳志雄公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika愉快動(dòng)物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃摩登衙門
鄭則仕,李修賢,馮淬帆,廖偉雄,王青同系列推薦
異形帝國
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚(yáng),阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs羅莎夫人
西蒙·西涅萊,Samy Ben-Youb,米莎爾·巴特阿達(dá)姆,Gabriel Jabbour,熱蕾耶·豐塔內(nèi)拉,克洛德·多芬夜逃屋本鋪2
中村雅俊,高木美保,益岡徹,中島陽典,風(fēng)間杜夫,松居一代,中山忍,余貴美子柏蒂娜的苦淚
瑪吉特·卡斯滕森,漢娜·許古拉,卡特琳·沙克,埃娃·馬特斯,吉塞拉·法克爾代,伊爾姆·赫爾曼暗泳
懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南?!だ麅?nèi)翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內(nèi)斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨標(biāo)錯(cuò)參
洪金寶,鐘鎮(zhèn)濤,王祖賢,梁珊,曹查理,陳友幕后花絮
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
NO.1
講述了每次吃媽媽做的家常飯時(shí)都能看到倒計(jì)時(shí)數(shù)字的河玟的故事。