私人會(huì)所 私人會(huì)所

評(píng)分:6.7 播放:81萬(wàn) 更新:2026-04-24

《私人會(huì)所》的故事講述家境不佳大學(xué)生Milo(馮海銳飾)因好友巧盈(陳美伊飾)炒股失利,結(jié)果跟巧盈一起到仿如夜總會(huì)運(yùn)作高級(jí)私人會(huì)所Balcony工作賺錢,在Joey媽(陳潔玲飾)的帶領(lǐng)下,與菲菲(湯加文飾)與Sabrina(鍾卓菲飾)每晚陪著客人。証券分析員 Steven(李任燊飾)在工作關(guān)係由富二代Lucas(麥子樂(lè)飾)帶到Balcony,並且認(rèn)識(shí)了莊家倫爺(李凱賢飾)及阿傑(陳詠謙飾)。Stephen首次在Balcony便遇上首天工作的Milo,並且互相發(fā)展??剂私?jīng)紀(jì)牌的巧盈則希望能讓陳傑開(kāi)戶,而Lucas在不得志下卻對(duì)Joey媽有感,而倫爺卻對(duì)菲菲有其好感。不過(guò)在股場(chǎng)之下,卻隱藏著暗湧,影響眾人命運(yùn)。

劇情簡(jiǎn)介

《私人會(huì)所》的故事講述家境不佳大學(xué)生Milo(馮海銳飾)因好友巧盈(陳美伊飾)炒股失利,結(jié)果跟巧盈一起到仿如夜總會(huì)運(yùn)作高級(jí)私人會(huì)所Balcony工作賺錢,在Joey媽(陳潔玲飾)的帶領(lǐng)下,與菲菲(湯加文飾)與Sabrina(鍾卓菲飾)每晚陪著客人。証券分析員 Steven(李任燊飾)在工作關(guān)係由富二代Lucas(麥子樂(lè)飾)帶到Balcony,並且認(rèn)識(shí)了莊家倫爺(李凱賢飾)及阿傑(陳詠謙飾)。Stephen首次在Balcony便遇上首天工作的Milo,並且互相發(fā)展??剂私?jīng)紀(jì)牌的巧盈則希望能讓陳傑開(kāi)戶,而Lucas在不得志下卻對(duì)Joey媽有感,而倫爺卻對(duì)菲菲有其好感。不過(guò)在股場(chǎng)之下,卻隱藏著暗湧,影響眾人命運(yùn)。

為你推薦

韓塞爾與葛雷特

千正明,陳智熙,沈恩敬,殷元在

  因母親染病,青年李恩洙(千正明 飾)驅(qū)車向家中趕去,但中途遭遇車禍,翻到路邊。當(dāng)他從昏迷中醒來(lái)時(shí),發(fā)現(xiàn)眼前站著一個(gè)有如天使般的女孩子(沈恩京 飾)。在這個(gè)名叫英姬的女孩的引導(dǎo)下,恩洙隨之來(lái)到了女孩位于密林深處的家。那是一幢宛如從童話書(shū)中出來(lái)的夢(mèng)幻而華美的大房子,家中擺放著各種各樣精巧可愛(ài)的飾品。這里住著英姬、她的父母、哥哥萬(wàn)福(殷元宰 飾)以及妹妹貞順(陳智熙 飾)。疲勞疼痛的恩洙起初并未察覺(jué)絲毫一樣,可是他很快便發(fā)現(xiàn),如此美好的童話所在竟成為永遠(yuǎn)無(wú)法逃離的樊籬……  本片榮獲2009年葡萄牙奇幻國(guó)際電影節(jié)評(píng)委會(huì)特別獎(jiǎng)。

總統(tǒng)的蛋糕

Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj

人人都中頭獎(jiǎng),難道人人都想中頭獎(jiǎng)?九十年代伊拉克經(jīng)歷軍事及經(jīng)濟(jì)制裁,獨(dú)裁者薩達(dá)姆無(wú)懼動(dòng)亂,勒令全國(guó)為自己慶祝生日。九歲女孩「喜獲頭獎(jiǎng)」成為學(xué)校代表,被迫接下為總統(tǒng)炮制生日蛋糕的國(guó)家級(jí)重任。然而通貨膨脹、物資匱乏,雞蛋面粉都是奢侈品,女孩帶著寵物公雞,從沼澤向城市出發(fā)搜羅食材,完成這項(xiàng)國(guó)家交給她的任務(wù)!首有伊拉克電影進(jìn)軍戛納,編導(dǎo)借小女孩充滿稚氣卻堅(jiān)韌的目光,展現(xiàn)伊拉克從未被記錄過(guò)的一面,獻(xiàn)給在戰(zhàn)亂下仍能找到愛(ài)與友誼的小孩。戛納電影節(jié)金攝像機(jī)最佳首作。

骯臟的小把戲

迪恩·凱恩,Christie Burson,邁克爾·馬德森

  麥可(狄恩肯恩飾)在路上搭載了年輕性感的正妹(克莉絲汀波森飾),麥可原先認(rèn)為漫漫公路有正妹相伴艷福不淺,自以為遇上了豔遇的他,卻不知道自己即將陷入一連串的陰謀及殺機(jī),一趟沒(méi)有終點(diǎn)的旅程即將展開(kāi)…  故事描述一個(gè)男人在路途中載了一位年輕的女人,原來(lái)只是好心借人搭便車,結(jié)果男主人公卻發(fā)現(xiàn)自己陷入了一場(chǎng)可怕的午夜夢(mèng)魘……  If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick!  A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway.  Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes  viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

浴血黑幫電影版

基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫(kù)戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆

 1940年的伯明翰,在第二次世界大戰(zhàn)的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國(guó)家的未來(lái)岌岌可危,湯米必須面對(duì)自己心中的惡魔,并選擇是直面它還是將其毀滅。

金童2025

張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩(shī)鈉,袁富華,林燕玲

在十年前的拳擊界,張力(張繼聰 飾)是如日中天的「金童」,卻因一場(chǎng)意外失去了自由。十年后,他刑滿出獄,遇上他從未見(jiàn)面的親生兒子方圓。為了得到方圓母親的遺產(chǎn),需要與方圓一起生活。張力面臨生活困境與情感糾葛,令他的生活再次翻轉(zhuǎn)。在父子間的矛盾與和解中,張力逐漸找到自己的使命,面對(duì)過(guò)去在擂臺(tái)上的陰影,決意再次重拾拳擊夢(mèng)想,并努力成為兒子的榜樣...

惡徒2025

斯蒂芬·格拉漢姆,安德麗婭·賴斯伯勒,安森·布恩,奧斯汀·海恩斯,基特·拉庫(kù)森,卡勒姆·布斯-福特,薩萬(wàn)娜·斯泰恩,諾亞·曼祖爾,Monika Frajczyk

一名19歲的罪犯湯米(Tommy)被一對(duì)功能失調(diào)的夫婦克里斯(Chris)和凱瑟琳(Kathryn)綁架,并被迫接受他們的“改造計(jì)劃”,試圖將他塑造成一個(gè)“好男孩”。湯米必須設(shè)法逃脫。