花女情狂

6.4 播放：09萬(wàn) 更新：2026-04-22

由韓國(guó)女星玄智慧來(lái)港后的作品，在片中男主演連偉健還與「花女」玄智慧真愛(ài)了一回，影片的配樂(lè)是當(dāng)時(shí)還初出茅廬的歌神張學(xué)友的經(jīng)典情歌《Smile Again 瑪莉亞》。 　　

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由韓國(guó)女星玄智慧來(lái)港后的作品，在片中男主演連偉健還與「花女」玄智慧真愛(ài)了一回，影片的配樂(lè)是當(dāng)時(shí)還初出茅廬的歌神張學(xué)友的經(jīng)典情歌《Smile Again 瑪莉亞》。 　　

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白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見(jiàn)明里,槙田雄司,穂紫朋子,天野花奈,山川真里果

在本作品中，人們聽(tīng)了從某個(gè)卡式錄音帶中流淌出的“某個(gè)旋律”后，自己也漸漸哼唱起了那個(gè)旋律，被卷入了不可思議的事件中。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

偉大的覺(jué)醒

John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster Harris

 Exploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.

大帝機(jī)器人

伊武雅刀,洞口依子,森本治行,吉田友紀(jì)

　　東寶ビデオのシネパック第一弾として、1991年11月8日にリリースされたのがこの『ミカドロイド』である?！　〉诙未髴槟┢?、敗色濃厚な日本。その中で帝國(guó)陸軍が極秘裏に研究していた秘密兵器、それが人造人間“ジンラ號(hào)”。敗戦とともに歴史から抹消されたジンラ號(hào)であったが、空襲で埋沒(méi)した研究所の中、眠り続けていた一體があった。そして今、半世紀(jì)の歳月を経て、ジンラ號(hào)が東京の地下に蘇る！　ふとした偶然でその地下迷宮に迷い込んでしまった若い男女二人は何を見(jiàn)るのか？　未完成の人造人間として老いる事も出來(lái)ずに彷徨い続けてきた謎の男、彼は一體何を望むのか？　本作は舞臺(tái)となる場(chǎng)所と時(shí)間が狹い範(fàn)囲に限定されているため、物語(yǔ)の密度が濃く、一夜限りの幻想的な悪夢(mèng)のような作品となっている?！　ˉ弗螗樘?hào)のデザインを擔(dān)當(dāng)したのはイラストレーターの明日蘭。蒸気機(jī)関車(chē)のような舊式なラインでまとめられているジンラ號(hào)は一見(jiàn)ユーモラスで鈍重な外見(jiàn)だが、內(nèi)に潛ませた悪夢(mèng)と狂気が不思議な説得力を持ち、印象深い仕上がりとなっている。またジンラ號(hào)専用武器として設(shè)計(jì)されたという設(shè)定の“１００式短機(jī)関銃改「ベ式」テラ銃”は、當(dāng)時(shí)の落下傘部隊(duì)が使用した実銃をモチーフにいかにもそれらしくまとめられており、ジンラ號(hào)の設(shè)定をよりリアルな物としている。その他、南部十四年式拳銃や９６式軽機(jī)関銃などの各種プロップガンもリアルな作動(dòng)シーンを見(jiàn)せて畫(huà)面を引き締めている?！　”O(jiān)督を務(wù)めたのは特殊メイククリエイターとして有名な原口智生。本作は原口自身が長(zhǎng)年あたためてきた企畫(huà)で、原口の監(jiān)督デビュー作となった。

列寧格勒牛仔征美記

馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫(kù)斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯

　　列寧格勒牛仔搖滾樂(lè)隊(duì)的幾個(gè)成員裝扮怪異，戴大墨鏡，燙飛機(jī)頭，夸張的火箭鞋就是他們的標(biāo)志?？稍谒麄兊募亦l(xiāng)看不見(jiàn)事業(yè)成功的希望，于是他們決定轉(zhuǎn)戰(zhàn)美國(guó)尋求機(jī)會(huì)，在即將出發(fā)的前夜，貝斯手卻被凍死，盡管如此，隊(duì)員們還是將他裝入了放滿(mǎn)冰塊的木箱中帶上了旅途。此時(shí)同村的一個(gè)怪異的啞巴 偷偷跟隨樂(lè)隊(duì)來(lái)到了紐約。紐約的機(jī)會(huì)并不如他們想象的豐富，困窘的生活仍在繼續(xù)，在他們走投無(wú)路之時(shí)，得到了一個(gè)來(lái)自墨西哥的婚宴演出機(jī)會(huì)。于是他們用僅剩的錢(qián)從一個(gè)美國(guó)售貨員（吉姆?賈木許 Jim Jarmusch 飾）手中買(mǎi)了一輛舊車(chē)后繼續(xù)向墨西哥進(jìn)發(fā)，那里有他們最后的夢(mèng)想……