紅杏初戀

7.1 播放：13萬 更新：2026-04-23
主演：Sylvia Kristel Nathalie Delon Jon 

Charles暫無內容is暫無內容wealthy,暫無內容a暫無內容French暫無內容venture暫無內容capitalist暫無內容in暫無內容the暫無內容1830s;暫無內容he's暫無內容also暫無內容an暫無內容aristocratic暫無內容assassin,暫無內容prompting暫無內容duels暫無內容for暫無內容political,暫無內容monetary,暫無內容and暫無內容sexual暫無內容gain.暫無內容At暫無內容his暫無內容aunt's,暫無內容he暫無內容meets暫無內容Madame暫無內容Mathilde暫無內容LeRoi,暫無內容a暫無內容virtuous暫無內容and暫無內容beautiful暫無內容woman,暫無內容and暫無內容he暫無內容determines暫無內容to暫無內容seduce暫無內容her.暫無內容Along暫無內容the暫無內容way,暫無內容his暫無內容lust暫無內容and暫無內容game暫無內容playing暫無內容give暫無內容way暫無內容to暫無內容love.暫無內容One暫無內容of暫無內容his暫無內容partners暫無內容in暫無內容crime暫無內容and暫無內容seduction,暫無內容a暫無內容decaden...

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Charles暫無內容is暫無內容wealthy,暫無內容a暫無內容French暫無內容venture暫無內容capitalist暫無內容in暫無內容the暫無內容1830s;暫無內容he's暫無內容also暫無內容an暫無內容aristocratic暫無內容assassin,暫無內容prompting暫無內容duels暫無內容for暫無內容political,暫無內容monetary,暫無內容and暫無內容sexual暫無內容gain.暫無內容At暫無內容his暫無內容aunt's,暫無內容he暫無內容meets暫無內容Madame暫無內容Mathilde暫無內容LeRoi,暫無內容a暫無內容virtuous暫無內容and暫無內容beautiful暫無內容woman,暫無內容and暫無內容he暫無內容determines暫無內容to暫無內容seduce暫無內容her.暫無內容Along暫無內容the暫無內容way,暫無內容his暫無內容lust暫無內容and暫無內容game暫無內容playing暫無內容give暫無內容way暫無內容to暫無內容love.暫無內容One暫無內容of暫無內容his暫無內容partners暫無內容in暫無內容crime暫無內容and暫無內容seduction,暫無內容a暫無內容decaden...

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?校正單元?

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　　A group of violent and misguided young offenders are experimented on using brutal AI technology at a sinister institute.

留校聯(lián)盟

保羅·吉亞瑪提,多米尼克·塞薩,達明·喬伊·倫道夫,卡麗·普雷斯頓,布雷迪·赫普納,伊恩·多利,吉姆·卡普蘭,邁克爾·普羅沃斯特,安德魯·加曼,納希姆·加西亞,斯蒂芬·索恩,吉蓮·韋格曼,泰特·多諾萬,達比·莉莉·李-斯塔克,比爾·穆托斯,達斯汀·塔克,胡安妮塔·珀爾,亞歷山大·庫克,利茲·畢曉普,科爾·特里斯坦·墨菲,威爾·薩斯鮑爾

 預科學校巴頓學院的老師保羅（保羅·吉亞瑪提 飾）不太受歡迎，不管是學生、老師還是校長，都不太喜歡他，他們覺得他浮夸又僵化。在1970年的圣誕假期，保羅留在了學校監(jiān)督無法回家的學生。幾天后，只有一個學生留了下來——一個名叫安格斯的15歲搗蛋鬼，他是一個被不良行為破壞的好學生，總是在被開除的邊緣試探。與保羅和安格斯一起留下的還有學校廚師長瑪麗，一個為特權階層的兒子們提供服務的非裔美國婦女，她自己的兒子最近在越南失蹤了。這三個截然不同的失意者組成了一個奇怪的圣誕家庭，在新英格蘭大雪紛飛的兩個星期里，分享著不幸經(jīng)歷，并意識到他們中沒有人感謝自己的過去。

等待方舟

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

ChaO，我代表人類跟人魚結婚了

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　　人間と人魚が共存する未來社會を舞臺とする本作。船舶を製造する會社で働くサラリーマンのステファンは、ある日突然、人魚王國の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。