水性楊花 Une fille facile
奈瑪(麗絲•洛米 Lise Lomi 飾)是一個(gè)天真而又單純的16歲女孩,暑假就要來臨了,和暑假一起來臨的,還有奈瑪 期盼已久的生日,過了這個(gè)生日,奈瑪將又向看似豐富多彩的成年人世界邁進(jìn)了一步。在這個(gè)夏天,一直在巴黎生活的表姐索菲亞(札伊亞•蒂哈 Zahia Dehar 飾)回到了奈瑪?shù)纳磉?,索菲亞和奈瑪見過的所有女孩都不同,渾身上下都散發(fā)著神秘的魅力。 奈瑪很快就被索菲亞給深深的吸引了,索菲亞的存在讓奈瑪和好友度度(克洛蒂爾•蔻洛 Clotilde Courau 飾)漸行漸遠(yuǎn),甚至背叛了兩人之前的約定。在海邊,索菲亞邂逅了名為安德斯(伯努瓦•馬吉梅爾 Benoît Magimel 飾)的男子,他散發(fā)出的藝術(shù)氣息令索菲亞深深著迷。
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高駿,張敏我很在乎
裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達(dá)米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內(nèi)西,珍妮爾·費(fèi)格利,杰米·加扎里安,阿德里安·M·蒙波因特時(shí)間之外的故鄉(xiāng)
郭輝,朱宇涵,蔡宣萱無效郵件
小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman飛機(jī)和火山
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偶像大師 百萬現(xiàn)場(chǎng)! ~終將,立于中央~
桐谷蝶蝶,小巖井小鳥,諏訪彩花,山崎遙,田所梓,齊藤真知子,角元明日香,愛美,仁后真耶子,高橋智秋,中村源太在MILLIONSTARS的偶像們于定期公演中閃耀綻放之際,美也收到了一封"希望能一起熱鬧學(xué)園祭"的商談?wù)埱?。與朋花、茉莉三人共同遇到的寄信人——高中二年級(jí)學(xué)生花,是美也的忠實(shí)粉絲,她一直憧憬著美也那種能以獨(dú)特步調(diào)克服困難的身姿。得知花正打算放棄組建樂隊(duì)的夢(mèng)想后,美也主動(dòng)提出要和她一起實(shí)現(xiàn)夢(mèng)想。在共同追逐夢(mèng)想的每一天里,推動(dòng)兩人前進(jìn)的并非花所憧憬的美也——而是美也發(fā)自內(nèi)心的真實(shí)情感。
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風(fēng)雪肆虐的圣誕夜,一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營(yíng)的巴洛克劇院,排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身,排練演變?yōu)閼K烈的生存競(jìng)賽。演員們后知后覺地發(fā)現(xiàn),劇本中的每一幕死亡,都是一場(chǎng)旨在召喚反基督者的古老儀式。
骯臟的小把戲
迪恩·凱恩,Christie Burson,邁克爾·馬德森麥可(狄恩肯恩飾)在路上搭載了年輕性感的正妹(克莉絲汀波森飾),麥可原先認(rèn)為漫漫公路有正妹相伴艷福不淺,自以為遇上了豔遇的他,卻不知道自己即將陷入一連串的陰謀及殺機(jī),一趟沒有終點(diǎn)的旅程即將展開… 故事描述一個(gè)男人在路途中載了一位年輕的女人,原來只是好心借人搭便車,結(jié)果男主人公卻發(fā)現(xiàn)自己陷入了一場(chǎng)可怕的午夜夢(mèng)魘…… If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick! A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway. Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.
驚變28年2:白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫斯托,Elliot Benn末日喪鐘再度敲響,帶領(lǐng)觀眾直視人性毀滅的煉獄,感染者的威脅和幸存人類的邪惡。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.