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無論如何我愛你
諸葛四郎-大戰(zhàn)魔鬼黨
王辰驊,蔣鐵城,王希華我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·?？怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·?？怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里學(xué)園便利屋
古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人同類推薦
奇遇
賈冰,王皓,李夢(mèng),鄭合惠子,楊皓宇,翟子路,于洋,費(fèi)啟鳴,李乃文,馬旭東,鄧帥,李治良,馮滿,郝瀚,李飛,小沈陽,徐浩倫,譚湘文,唐香玉43歲的社畜大叔黃遇奇（賈冰 飾）身體處處亮紅燈，是生活中的背景板，職場(chǎng)上的一塊磚。被人生困住的他因一場(chǎng)意外與18歲的自己互換靈魂！從此，沒有“班味”的中年黃遇奇開啟了創(chuàng)飛人生的一系列操作！不做卷王，享受人生就對(duì)了！“少年老成”的18歲黃遇奇（王皓 飾）手握未來劇本，開始實(shí)行“富二代養(yǎng)成計(jì)劃”！不再叛逆，彌補(bǔ)遺憾就對(duì)了！橫沖直撞的他們會(huì)如何掌控自己的全新人生？
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發(fā)生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國(guó)年輕人，躊躇滿志的他加入波士頓黑手黨，決心開創(chuàng)一番事業(yè)，卻發(fā)現(xiàn)這個(gè)犯罪組織早已不復(fù)昔日之勇。 于是尼克背著他的老板（《落水狗》、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴(kuò)張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險(xiǎn)的懸崖邊。
周二謀殺定律
亞歷克斯·加西亞,茵瑪·奎斯塔,阿娜·瓦格納,卡拉·坎普拉,貝倫·洛佩茲,戈?duì)柨āとR斯奧薩,Mia Zafra,Carmen Ruiz,Xavi Lite,保羅·皮雷,貝爾·蒙特羅,Saida Benzal,阿德里亞諾·卡瓦略,路易莎·加瓦薩,拉克爾·佩雷斯,Romeu Runa,Elsa Galv?o,佩德羅·卡薩布蘭科,Tiago Sarmento,Marga Arnau一群有組織地前往里斯本的游客在第一天早上其中一人被殺后，發(fā)現(xiàn)自己正在調(diào)查一起謀殺案。當(dāng)他們參觀美麗的里斯本景點(diǎn)時(shí)，開始在人群中尋找兇手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在樂響舞動(dòng)時(shí)
蘇拉吉·潘喬里,Isabelle Kaif,Sammy Jonas Heaney她是一位國(guó)標(biāo)舞者，卻在重大賽事的緊要關(guān)頭遭遇危機(jī)，幸好有位街頭舞者挺身而出，不顧自身過往的傷痛，擔(dān)任她的出賽舞伴。