劇情簡(jiǎn)介
陳芯宜發(fā)揮魔幻寫實(shí)的又一創(chuàng)意小品，關(guān)于一群被丟棄的神、狗與人的魔幻狂想，高捷、蘇慧倫、張翰、張洋洋、杜曉寒主演。
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死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
唐宮蜜史
胡高峰,陸雨萍,張辰馳胖女孩欲桓是一個(gè)胖胖圓圓能吃能玩的女孩,不同于別的胖女孩,她敢于面對(duì)生活,即使不受男生喜歡,也能玩的很嗨。有一天奇跡發(fā)生在了她的身上,她穿越回了唐朝，在這里她遇到了對(duì)她萬(wàn)分疼愛(ài)的壽王李瑁。欲桓在現(xiàn)代從來(lái)沒(méi)有一個(gè)人跟他表白,在這里她第一次感受到了愛(ài)情的存在，于是成為了壽王妃,開(kāi)元二十五年武惠妃逝世,壽王壽王妃二人前去拜見(jiàn)唐玄宗,唐玄宗悲痛欲絕,看到欲桓后感覺(jué)自己夢(mèng)中女子出現(xiàn)在了自己眼前,眼神透出淡淡的愛(ài)意,心里想要的就是欲桓,可欲桓現(xiàn)在是自己兒子的妃子,該如何去爭(zhēng)去奪,旁邊的董貴妃把這一切看在眼里,一心想成為皇后的她會(huì)去怎么做,一場(chǎng)劇烈的奪桓之戰(zhàn)正式拉開(kāi)。
獵殺大行動(dòng)
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
坐白車的女人
鄭麗媛此劇是以三位女人為中心展開(kāi)的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血，打開(kāi)案件中心的主人公都京一角，她比誰(shuí)都隱藏著沉重的秘密。
昏神
邁克·C·曼寧,格里芬·弗里曼,瑞恩·平克斯頓,奧格斯·羅德,特里薩·納瓦羅A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經(jīng)歷后回到法國(guó)，鋼琴家馬蒂亞斯·福格勒將再次與他的導(dǎo)師埃倫取得聯(lián)系，為一場(chǎng)音樂(lè)會(huì)做準(zhǔn)備。在一座公園里，他將邂逅一個(gè)與自己長(zhǎng)得一模一樣的孩子，而這個(gè)孩子會(huì)把他引向克洛丁——一位他曾在某個(gè)時(shí)代深愛(ài)過(guò)的女人。