壞男孩
承翰和三個(gè)哥兒們都生長(zhǎng)在失能家庭，家裡沒(méi)錢(qián)、也沒(méi)有保護(hù)他們的大人，卻因相同的成長(zhǎng)背景，他們聚在一起，成為了彼此的家人。平時(shí)他們自力更生、劫富濟(jì)「己」，戲稱(chēng)是自主性改變貧富不均。這個(gè)週末，他們結(jié)識(shí)了獨(dú)自旅行的品然，眾人開(kāi)心玩樂(lè)，品然甚至加入了他們的「羅賓漢」行列，行竊犯罪。然而，隨著一次犯罪意外，害怕的品然決定回家，承翰卻發(fā)現(xiàn)自己早已對(duì)她動(dòng)了情，哥兒們各有不同的欲求與立場(chǎng)，情況逐漸失控??。 曾入圍多項(xiàng)國(guó)際影展肯定的新銳導(dǎo)演游智涵，以深刻的青少年犯罪為題，藉由一樁綁架案牽扯出集體犯罪背後的真相，描繪出那些渴望愛(ài)卻又無(wú)所適從的「壞」男孩與女孩，難以自拔的矛盾糾葛。金獎(jiǎng)演技擔(dān)綱演出，金馬獎(jiǎng)入圍巫建和與金鐘奬得主黃湘婷，攜手黃聖球、潘親御、鍾家駿，共譜這段即將崩壞的青春序曲，如何凝結(jié)在夏日炎熱的記憶中。
劇情簡(jiǎn)介
承翰和三個(gè)哥兒們都生長(zhǎng)在失能家庭，家裡沒(méi)錢(qián)、也沒(méi)有保護(hù)他們的大人，卻因相同的成長(zhǎng)背景，他們聚在一起，成為了彼此的家人。平時(shí)他們自力更生、劫富濟(jì)「己」，戲稱(chēng)是自主性改變貧富不均。這個(gè)週末，他們結(jié)識(shí)了獨(dú)自旅行的品然，眾人開(kāi)心玩樂(lè)，品然甚至加入了他們的「羅賓漢」行列，行竊犯罪。然而，隨著一次犯罪意外，害怕的品然決定回家，承翰卻發(fā)現(xiàn)自己早已對(duì)她動(dòng)了情，哥兒們各有不同的欲求與立場(chǎng)，情況逐漸失控??。 曾入圍多項(xiàng)國(guó)際影展肯定的新銳導(dǎo)演游智涵，以深刻的青少年犯罪為題，藉由一樁綁架案牽扯出集體犯罪背後的真相，描繪出那些渴望愛(ài)卻又無(wú)所適從的「壞」男孩與女孩，難以自拔的矛盾糾葛。金獎(jiǎng)演技擔(dān)綱演出，金馬獎(jiǎng)入圍巫建和與金鐘奬得主黃湘婷，攜手黃聖球、潘親御、鍾家駿，共譜這段即將崩壞的青春序曲，如何凝結(jié)在夏日炎熱的記憶中。
為你推薦
尸油降
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????阿坤（卡文英瑪諾泰 飾）是個(gè)孤兒，由村里強(qiáng)大的薩滿(mǎn)萊穆養(yǎng)大。他受雇驅(qū)魔，卻偷偷進(jìn)行黑魔法儀式，想提煉尸油賺錢(qián)迎娶心愛(ài)的女孩蘇伊，沒(méi)想到這觸怒了鬼魂、招致報(bào)復(fù)。此時(shí)蘇伊恰巧來(lái)找他，究竟阿坤能否以所學(xué)和信仰幫助自己和身邊的人死里逃生？
泰國(guó)派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat青春期的男生除了要用功讀書(shū)，更要熱衷研究「健康教育」。15歲的查拉德（永思．翁帕尼濃 飾）和歐陽(yáng)（塔納瑟．蘇里雅彭查坤 飾）、歐比（基拉奇．王斯朋 飾）三個(gè)無(wú)話(huà)不談的好基友，天天一起上下課、煩惱著撩妹小事、分享磁盤(pán)里的女神、思念著春天的到來(lái)。偶然機(jī)緣下，查拉拉目睹心儀女孩櫻桃與人氣學(xué)長(zhǎng)潭接吻，為奪櫻桃芳心，查拉拉籌劃著擊敗櫻桃，好讓櫻桃崇拜的計(jì)劃，可現(xiàn)實(shí)很殘酷，科學(xué)競(jìng)賽里有個(gè)大魔王──堪稱(chēng)考試能手的天才資優(yōu)生蘇達(dá)拉。餿主意一堆的三人，決定派出蘇達(dá)拉的青梅竹馬來(lái)個(gè)「戀情攻克計(jì)劃」，但計(jì)劃卻全歪樓，學(xué)校沒(méi)教的通通有！充滿(mǎn)幻想與沖動(dòng)的15歲，究竟會(huì)出現(xiàn)怎樣的青春.性.插曲呢？
裂口女2
飛鳥(niǎo)凜,川村雪繪,巖佐真悠子,真山明大,谷口賢志,草野康太,中野英雄,齋藤洋介,林未紀(jì)澤田家在岐阜縣經(jīng)營(yíng)養(yǎng)雞場(chǎng)，家里有三個(gè)姐妹花。大女兒澤田幸子（川村雪繪 飾）馬上就要結(jié)婚，二女兒澤田雪枝（巖佐真悠子 飾）在美容院工作，小女兒澤田真弓（飛鳥(niǎo)凜 飾）正讀中學(xué)，生性活潑。然而，突如其來(lái)的慘劇將幸福的一家推入了深淵。雪枝過(guò)去的男朋友鈴木因?yàn)槎驶鸸バ模胍雍ρ┲?，不料卻把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容，兩個(gè)姐姐陪伴在她身邊不斷鼓勵(lì)她?！ 〔痪煤?，真弓學(xué)校的同學(xué)以及畢業(yè)生接連被殺，整個(gè)街區(qū)籠罩在恐怖的陰影之中……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的老婆是女優(yōu)
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克馬丁是一名成人電影行業(yè)的經(jīng)紀(jì)人，在一家夜總會(huì)偵察時(shí)，他遇到了達(dá)莎。她在洗手間里給他看了一些非常有才華的東西，他開(kāi)始考慮讓她在一部成人電影中扮演一個(gè)角色。這個(gè)行業(yè)最近變得非常時(shí)髦，他向她承諾，她將成為超級(jí)明星，她的電影將炸毀網(wǎng)絡(luò)。然而，。..
圣誕不快樂(lè)
在這部感人的喜劇中，一個(gè)脾氣暴躁的男人在圣誕節(jié)被詛咒，一年后醒來(lái)，卻發(fā)現(xiàn)他注定要一遍又一遍地重溫平安夜。
天使航班電影版
米倉(cāng)涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一本片劇情依然圍繞遺體送還公司“天使之心”展開(kāi)。社長(zhǎng)伊澤那美得知8年前身亡的戀人或許仍在世而心神動(dòng)搖。萬(wàn)圣節(jié)期間，公司成員奔赴世界各地處理送還事務(wù)：有人面對(duì)因嬰兒猝死而自責(zé)的母親，有人護(hù)送突然離世的明星回國(guó)，也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務(wù)時(shí)，一邊處理逝者身后事，一邊被舊日戀情的線索牽動(dòng)，在生死與思念交織中重新審視自己的內(nèi)心。