讓我們在一起

8.2 播放:11萬 2026-04-24
主演:Martin Hojmark Ole Meyer Jens 

在冒險島上的搜索發(fā)送公司學(xué)童。第二天,嚴重束縛了他們航行的小船上,消失入海,事件開始開發(fā)的腳本,;蠅王 rdquo;般的故事 hellip; hellip;La" os v aelig;re (1975)   

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你好弗里達

奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger

  影片生動展現(xiàn)了墨西哥傳奇女畫家弗里達·卡羅的童年生活。好奇心旺盛的弗里達整天和妹妹玩耍,和鄰居家的狗做朋友,爬樹,在小鎮(zhèn)上奔跑,當(dāng)她擁有人生中的第一本筆記本,就迫不及待的上面涂滿色彩斑斕的圖畫和想法。小兒麻痹癥讓她臥床不起,但小弗里達毫不退縮,一旦康復(fù),她就會重返街頭,展現(xiàn)她旺盛的生命力。

妖星哥拉斯

池部良,白川由美,久保明,水野久美,平田昭彥

  不明妖星哥拉斯在茫茫宇宙中不斷前進,沿途吸附大量的星際飛行物,不斷的變龐大,日本的觀測宇宙船隼號,為了探明其質(zhì)量大小,不幸被一起吸附,但是其在最后關(guān)頭向地球發(fā)出了其質(zhì)量數(shù)據(jù),使地球上的人對其有了個初步認識,后經(jīng)科學(xué)家計算測定,其質(zhì)量為地球的6100倍,而且將在45天后與地球相撞?! 樽柚沟厍蚺c哥拉斯的相撞,科學(xué)家想出了一個大膽的辦法,就是運用水素離子裝置在南極造一個噴射基地(類似與火箭發(fā)射器),讓地球動起來,在哥拉斯到來之前,使地球移動到其他軌道.等哥拉斯安全通過后,然后在北極在建個基地,使地球在回到原來的預(yù)定軌道。  計劃實施的非常順利,全世界各國在國聯(lián)的帶領(lǐng)下在南極建立了基地,但是由于在南極建造基地,在火焰發(fā)生器的作用下讓長眠在南極的海象怪獸蘇醒了,并破壞了一部份基地,后來,在飛機導(dǎo)彈的攻擊下,怪獸死了,但由于怪獸的破壞,火箭發(fā)生器推遲了時間,到底地球能不能脫離哥拉斯的吞噬呢?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

家有仙妻2005

妮可·基德曼,威爾·法瑞爾,雪莉·麥克雷恩,邁克爾·凱恩,詹森·舒瓦茲曼,克里斯汀·肯諾恩斯,希瑟·伯恩斯,吉姆·特納,史蒂芬·科拜爾,大衛(wèi)·艾蘭·格里爾,邁克爾·巴達魯科,卡羅爾·謝利,史蒂夫·卡瑞爾,凱蒂·芬內(nèi)朗,詹姆斯·里普頓,柯南·奧布萊恩,艾米·塞德麗絲,理查德·坎德,艾德·麥克馬洪,凱特·沃什,尼克·拉奇

 喜劇演員杰克(威爾?法瑞爾 Will Ferrell 飾)事業(yè)開始下滑,在經(jīng)紀人的建議下,杰克準備翻拍經(jīng)典搞笑連續(xù)劇《神仙俏女巫》。同時,為了鞏固自己在該劇的地位,杰克必須找一名新人在他的劇集里演他的妻子,女巫薩曼紗。在面試了數(shù)百人后,迷人可愛而且還會和女巫一樣聳鼻子的伊莎貝拉(妮可?基德曼 Nicole Kidman 飾)進入了杰克的視線。在杰克鼓動了自己的三寸不爛之舌后,伊莎貝拉終于同意和他一起出演該劇。該劇試播后反響強烈,為了和伊莎貝拉長久合作下去,杰克決定假戲真做,向伊莎貝拉展開了愛情攻勢。只是,他有所不知道是,伊莎貝拉真的是一名法力高強的女巫,杰克以后的日子可不好過了。

殺的就是你

莎姬·貝茲,湯姆·費爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大

 一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作,卻被告知這里有一個供奉撒旦的邪教,每個月要殺一個人作為祭品,“今晚,選中了你……”

狼蛛

約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德

  本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運。  經(jīng)典科幻片,強烈推薦!