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別名:Young Lady Chatterley,年青的查泰來女士從美國來到英國,在一家服裝店作業(yè).某日,接到已多年不來往的查泰萊宗族的律師電話,簽定承繼她的親屬已故七年的查泰萊夫人的遺產(chǎn).當(dāng)她來到查泰萊莊園時發(fā)現(xiàn)她承繼的遺產(chǎn)現(xiàn)已資不抵債。她開端行動了
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旁觀者2025
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河童之湄瀾怪談
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公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.