年輕助手的欲望

評(píng)分:9.7 播放:40萬(wàn) 更新:2026-04-23

山村里沒(méi)有大野心的大齡青年采藥人“陶器”在某一天的客人。暫無(wú)內(nèi)容事業(yè)失敗被通緝的朋友”窗口”的“華”和他的妻子一起找來(lái)的。暫無(wú)內(nèi)容陶器他們不得不隱藏我的三個(gè)怪里怪氣的不便的同居開(kāi)始。暫無(wú)內(nèi)容無(wú)法停止的朋友妻子的強(qiáng)烈的欲望也果然真的可以嗎?暫無(wú)內(nèi)容還有陶器絕對(duì)不知道她的秘密是什么呢?暫無(wú)內(nèi)容當(dāng)然一部分原因是因?yàn)橛肋h(yuǎn)都欣賞不夠她們發(fā)自?xún)?nèi)心的嗔吟與誘人表情,而另外一方面,以棍看,則是因?yàn)?,迷上她們那種接受后而熱愛(ài)上本職業(yè)并愿為之奉獻(xiàn)靈魂沉醉其中的精神!

影片推薦

同類(lèi)精選

影視排行

印度超人前傳

瑞哈,赫里尼克·羅斯?jié)h,普麗緹·澤塔,拉克什·羅斯?jié)h,Prem Chopra,Rajat Bedi,喬尼·里沃,穆克什·里希

  本片講述了印度超人克里斯的父親的傳奇經(jīng)歷。本來(lái)膽小懦弱的羅西特偶然與遺落在地球的外星人賈都締結(jié)下深厚的友情,賈都把自己的一身特異功能傳給了羅西特并幫助他成為所向披靡的超人... ...  如果說(shuō)《印度超人》是向超人叫板的話(huà),此前傳倒有幾分向ET致敬的味道。

寫(xiě)寫(xiě)畫(huà)畫(huà)

永野芽郁,大泉洋,見(jiàn)上愛(ài),畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長(zhǎng)井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋

  立志成為漫畫(huà)家的高中生林明子,經(jīng)同學(xué)介紹來(lái)到一個(gè)奇怪的美術(shù)教室。這個(gè)教室沒(méi)有招牌也沒(méi)有宣傳,甚至在電話(huà)本上都查不到,只是一處坐落在海邊的小木屋。木屋主人是個(gè)手拿竹刀、身穿運(yùn)動(dòng)服的美術(shù)老師,名叫日高健三。他嚴(yán)厲無(wú)比,每次學(xué)生們畫(huà)畫(huà)懈怠的時(shí)候,他只有一句話(huà):“去畫(huà)吧!”

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不被愛(ài)也沒(méi)關(guān)系

南沙良,馬場(chǎng)富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子

本片是一部以大學(xué)生宮田陽(yáng)彩(南沙良 飾)為主角的“青春逃亡故事”。陽(yáng)彩一邊上學(xué),一邊從早到晚忙于打工和家務(wù)。雖然母親并未對(duì)她施加暴力,但她一直被母親口中的“愛(ài)”束縛著,在這種溫柔卻令人窒息的絕望和對(duì)人生的失落感中度日。她定期給母親送錢(qián),照顧她,卻始終感受不到真正的自由和幸福。某天,陽(yáng)彩在打工的地方邂逅了同班同學(xué)江永雅(馬場(chǎng)富美加 飾)。這次相遇,悄然改變了陽(yáng)彩的人生軌跡。