青春的謎團

★ 0.8 播放：01萬 更新：2026-04-29

別名：Chacun sa nuit 皮埃爾和露西是從小一起長大的兄妹，象所有的年輕人一樣，處在青春期的兄妹倆喜歡搖滾樂，還有四個整天和他們混在一起的同齡人。皮埃爾是個雙性戀，突然有一天皮埃爾失蹤了，露西和他們的母親很擔心，終于警察發(fā)現(xiàn)了皮埃爾的尸體，調(diào)查后證實皮埃爾是被人打死的，大家都無法想象是誰以什么樣的方式殺了他。在探索皮埃爾神秘死亡和他的雙性戀生活的過程中，皮埃爾的妹妹露西和他曾經(jīng)的情人希望利用自己的魅力和身體來獲取每個人嘴里的真相。漸漸地她們發(fā)現(xiàn)了皮埃爾被殺背后的恐怖真相　

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劇情簡介

別名：Chacun sa nuit 皮埃爾和露西是從小一起長大的兄妹，象所有的年輕人一樣，處在青春期的兄妹倆喜歡搖滾樂，還有四個整天和他們混在一起的同齡人。皮埃爾是個雙性戀，突然有一天皮埃爾失蹤了，露西和他們的母親很擔心，終于警察發(fā)現(xiàn)了皮埃爾的尸體，調(diào)查后證實皮埃爾是被人打死的，大家都無法想象是誰以什么樣的方式殺了他。在探索皮埃爾神秘死亡和他的雙性戀生活的過程中，皮埃爾的妹妹露西和他曾經(jīng)的情人希望利用自己的魅力和身體來獲取每個人嘴里的真相。漸漸地她們發(fā)現(xiàn)了皮埃爾被殺背后的恐怖真相　

導演精選

瓢蟲少女特別篇：巴黎故事

 他們來自一個一切都顛倒的平行宇宙：瓢蟲和黑貓的擁有者，暗影瓢蟲（ShadyBug）和黑爪（Claw Noir），是惡棍，而蝴蝶的擁有者，赫斯佩利亞（Hesperia），是一個超級英雄。瓢蟲（Ladybug）和黑貓（Cat Noir）將不得不幫助赫斯佩利亞抵御他們邪惡的雙胞胎的攻擊，并阻止他們奪取蝴蝶奇跡（Butterfly Miraculous）。我們的英雄們能否也幫助赫斯佩利亞并讓暗影瓢蟲和黑爪成為更好的人呢？

富貴再逼人

　　在報館任職的驃叔（董驃 飾）因為工作的關(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開始了學業(yè)，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續(xù)生活，生活卻比以前更艱難了。驃嬸無意中發(fā)現(xiàn)了一張加拿大的頭獎彩票，獎金是兩千萬加幣。　　由于不夠錢到加國，驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟危機的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強對抗，保住了彩票，卻無法在領(lǐng)獎時限截止前趕到?！　∫患胰藗牧鳒I，悲傷之中發(fā)現(xiàn)時間上出現(xiàn)了時差，領(lǐng)獎的時間還沒截止。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.