禁忌之欲 Forbidden Desire (2024)

2.9 播放:67萬 2026-05-11

阿加莎與烏貝爾的關(guān)系破裂,在找到新戀人的同時,她卻依舊與烏貝爾糾纏不清。隨著烏貝爾的毀滅性秘密浮出水面,故事達(dá)到高潮,揭示欲望與背叛交織的人性深淵。

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據(jù)傳聞,古時候有座山叫猿猴山,猿猴山有一國,名為猿國。猿國有一罕見白猿,猿國尊護(hù)白猿為神,稱“猿神”,百姓日夜供奉,祈求平安。近日,有傳言說“猿神”暴怒,不會再庇護(hù)猿國了,國主才會久病不起,導(dǎo)致猿國上下人心惶惶。為了穩(wěn)定民心,猿國國主請求太極村掌門延一道人幫助猿國調(diào)查傳言真相,讓百姓心安。延一道人派遣弟子玄城前往猿國協(xié)助,探尋背后真相。

鐘無艷

鄭秀文,梅艷芳,張柏芝,黃浩然,林雪,王天林,許紹雄

  春秋戰(zhàn)國時期,一向昏庸好色的齊宣王(梅艷芳飾)誤闖夜叉山,碰上了美麗的寨主鐘無艷(鄭秀文飾),齊宣王決定把鐘無艷娶為皇后,可是一直傾心于鐘無艷的“狐貍精”(張柏芝飾)出手阻撓,只要鐘無艷愛上其他的人,臉上便會無緣無故多出一塊難看的紅斑。狐貍精后來化身夏迎春勾引齊宣王,齊宣王終日沉醉溫柔鄉(xiāng)。而鐘無艷為了夫君出生入死、南征北戰(zhàn)。齊宣王只會有事求助于鐘無艷時才好言相向。齊宣王十分好賭,竟然把鐘無艷作為作為籌碼輸?shù)袅?,鐘無艷憤怒離開,臉上紅斑也自然消失。夏迎春得逞后也離開了皇宮,齊宣王才發(fā)現(xiàn)自己最愛為何人,浪子回頭。在受到叛徒攻擊時,還是愛著齊宣王的鐘無艷,趕到了皇宮,幫忙驅(qū)走外敵……

撒冷鎮(zhèn)2024

劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達(dá)德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet

  作家本·米爾斯回到他兒時的故鄉(xiāng)——撒冷鎮(zhèn),為他的下一本書尋找靈感,卻發(fā)現(xiàn)他的家鄉(xiāng)正被一個嗜血的吸血鬼掠奪。

不死之人

安東·迪夫倫,哈澤爾·考特,克里斯托弗·李

  邦納博士計劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲,他真的104歲了。但是人們開始懷疑了,他可能不會到200歲。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超乎想象2

丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾

 Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.