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李在仁,紅炅,鄭滿植,劉秀彬,金國熙,崔正云,宋智仁,李家晴,李道根,孫寅勇復(fù)仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷加州套房
簡·方達(dá),阿倫·阿爾達(dá),瑪吉·史密斯,邁克爾·凱恩,沃爾特·馬修幼獸
Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten專撬墻腳
石天,曾志偉,黃百鳴,劉瑞琪猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher人氣佳作
深水
艾倫·艾克哈特,本·金斯利,安格斯·桑普森,邁德琳·懷斯特,凱莉·蓋爾,拉米安·紐頓,莫莉·貝爾·賴特,馬克·哈德洛,羅伯·基帕-威廉姆斯,露西·巴雷特,普里亞·賈恩,理查德·克勞奇利,瑞恩·邦恩,拉科塔·約翰遜,杰奎琳·李·戈?duì)柎?凱特·菲茨帕特里克,加文·李,那爾那茜,李汶翰,趙思玫藍(lán)調(diào)天后
維奧拉·戴維斯,查德維克·博斯曼,科爾曼·多明戈,格林·特魯曼,邁克爾·波茨,杰里米·薩默斯,約翰尼·科瓦內(nèi),泰勒·佩奇,杜山·布朗,約書亞·哈爾托,奎因·范安特衛(wèi)普,克洛伊·戴維斯,梅特·納塔利奧,約翰娜·埃爾米納·莫伊茲,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亞二十五世紀(jì)宇宙戰(zhàn)爭
吉爾·杰拉德,帕梅拉·亨斯利,愛琳·格雷,亨利·席爾瓦,約瑟夫·懷斯曼切勿擅動(dòng)
唐·錢德爾,本尼西奧·德爾·托羅,馬特·達(dá)蒙,大衛(wèi)·哈伯,布蘭登·費(fèi)舍,諾亞·尤佩,茱莉婭·??怂?基南·卡爾金,克雷格·穆姆斯·格蘭特,艾米·西米茨,弗蘭西斯·肖,喬恩·哈姆,Tina Gloss,雷·利奧塔,拜倫·鮑爾斯,比爾·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin導(dǎo)演精選
清算
黃浦江畔,殺機(jī)四伏,規(guī)則是否能由“她”重寫?刀光里是黑幫的血腥,陰影下是性別枷鎖的崩裂——多年銀幕未見之大女主暴力爽片?! ∨P龍幫少主武青青,家族遭戮,自身遭叛,從獵物化身獵手;她隱于暗處,每一張笑臉背后,都可能藏著致命的匕首,日本商會(huì)登堂入室,內(nèi)鬼隱匿于至親之間,無間道中再掀無間,信任是奢侈品,每一步都是懸崖!她將如何撕下那一張張?zhí)搨蚊婢??奸,是叛幫之徒,是入侵之?dāng)?,還是枕邊之人? 風(fēng)暴已至,“除奸”成為唯一信條……
孔雀鎮(zhèn)
在孔雀鎮(zhèn)的鐵路旁邊,生活著一個(gè)有著灰暗過去的男子——約翰·斯基爾帕(希里安·墨菲 Cillian Murphy 飾),他自幼在母親的淫威下長大,由此養(yǎng)成了壓抑自閉的性格。在母親去世后,約翰的人格分裂,其內(nèi)心生出象征母性的女子?,?。約翰就這樣在男女兩個(gè)身份間轉(zhuǎn)換,過著平靜而扭曲的隱蔽生活?! ∧硞€(gè)清晨,災(zāi)禍突然降臨。一個(gè)火車頭脫軌闖入約翰家的院子,正在晾曬衣物的?,斒艿襟@嚇,并且出現(xiàn)在小鎮(zhèn)人民的面前。人們對此議論紛紛,約翰則希望盡快將火車頭清除院子,然而政客們卻打算以此作為政治斗爭的砝碼。面對種種混亂的局面,約翰和?,?shù)男闹薪箲]重重,他們的矛盾也漸次激化……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster