德川責(zé)罰地獄

評(píng)分：5.1 播放：53萬(wàn) 更新：2026-05-13
主演： 石井輝男/

　　影片講述德川時(shí)期底層百姓所經(jīng)歷的殘酷命運(yùn)艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan父母身后欠下外債，弟弟又身染重病，少女由美（片山由美子 飾）被迫進(jìn)入一家詭異的妓院。女店主阿龍（藤本三重子 飾）愛(ài)慕由美不可得，憤而在其身上安裝貞操帶，鑰匙卻被強(qiáng)暴了由美的弦造（林真一郎 飾）吞下。由美為拿回鑰匙挖墳剖腹，事發(fā)后被處以火燒酷刑……雕秀（吉田輝雄 飾）與雕辰（小池朝雄 飾）是一對(duì)頂尖刺青師，雕秀被妓院老板陷害，獲罪流放。雕辰則霸占雕秀女友阿玲，在其背上刺青。不忍受辱的阿玲服毒自盡，從長(zhǎng)崎逃回來(lái)的雕秀發(fā)誓要跟雕辰?jīng)Q一勝負(fù)……

影片推薦

同類(lèi)精選

影視排行

萇山虎

廉晶雅,樸赫權(quán),申隣雅,李俊赫,方柔雪,許真,李律,李在恩

　　熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養(yǎng)，希望婆婆能早點(diǎn)想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見(jiàn)一個(gè)衣衫襤褸的神祕(mì)女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無(wú)名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊希」，容貌與音聲越來(lái)越像消失無(wú)蹤的「俊敘」。神秘女孩到來(lái)之后，陸陸續(xù)續(xù)發(fā)生難以理解的怪事，熙璉的婆婆先是幻聽(tīng)，然后還被傳說(shuō)中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團(tuán)圓嗎？

寒·露

顧婷萱,李君峰,文雅懿,何旭健

 一連串匿名勒索電話，寄到家里的裸照讓強(qiáng)勢(shì)的醫(yī)生趙寒雪飽受丈夫的暴力摧殘。女兒離家出走，下落不明。趙寒雪能否解決勒索，逃離暴力？又該如何尋回女兒？

求藥

何一諾,劉平,李思韻,孛璽宇,胡軼凡,孫梓屹,徐丹,王成,馮丹

　　影片講述父親張釋全因過(guò)失導(dǎo)致女兒身亡后誤入邪教，試圖通過(guò)求取神藥救治重病兒子，在目睹妻子遭受邪教迫害后幡然醒悟，最終聯(lián)合妻子揭露邪教并將其繩之以法，使兒子獲得正規(guī)醫(yī)療救治的故事。

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.