盲獸
盲獸暫無內(nèi)容盲獸暫無內(nèi)容(1969)暫無內(nèi)容孤獨(dú)的模特（綠魔子飾）過著平淡的生活，然而一次奇怪的遭遇徹底改變了她的一生。暫無內(nèi)容一次去藝術(shù)中心試鏡的她，發(fā)現(xiàn)了在角落里獨(dú)自撫摸女體塑像的奇怪盲人（船越英二飾）。小心避開的她幾日后就將此事忘卻。然后一日模特請盲人醫(yī)師替自己按摩，不料前來服務(wù)的正是那個奇怪的盲人。暫無內(nèi)容盲人打暈?zāi)Ｌ睾?，同與自己關(guān)系復(fù)雜的母親一起將其綁架到自己位于農(nóng)村的地下工廠里，在那里，盲人已經(jīng)完成了上千件;藝術(shù)品暫無內(nèi)容。他希望模特能夠帶給他官能上的刺激，已完成他的最終杰作......
在線看
同款熱播
告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉?dú)W,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan亨利（加里·庫柏 Gary Cooper 飾）是一位熱血沸騰的青年，戰(zhàn)爭爆發(fā)了，他自愿前往意大利，成為了一名救護(hù)車駕駛員。在意大利，亨利結(jié)識了名為凱瑟琳（海倫·海絲 Helen Hayes 飾）的美麗護(hù)士，之后，亨利因?yàn)槭軅凰瓦M(jìn)了米蘭醫(yī)院，在那里，他和凱瑟琳重逢了。住院期間，亨利和凱瑟琳墜入了情網(wǎng)，凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后，亨利回到了戰(zhàn)場，卻發(fā)現(xiàn)我軍的士氣大跌，處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵，亨利亦難以幸免，他僥幸逃脫了自己人的槍子，他決定找到凱瑟琳，兩人逃離戰(zhàn)場，去過他們與世無爭的日子。然而，意大利警察的追捕緊隨其后，兩人踏上了逃亡的旅途。
舉起手來2：追擊阿多丸號
潘長江,郭達(dá),劉小微1945年，第二次世界大戰(zhàn)接近尾聲，軸心國已成強(qiáng)弩之末，敗局已定。許多戰(zhàn)爭中被俘虜?shù)娜毡臼勘?jīng)過改造后，陸續(xù)踏上回國的旅途，這其中便包括羅圈腿中村下等兵（潘長江 飾）。然而，即使在這垂死關(guān)頭，帝國主義的貪婪仍舊沒有收斂。輪椅太君（胡曉光 飾）傷愈出院，親自負(fù)責(zé)指揮戰(zhàn)艦阿多丸運(yùn)送傷兵回國的重任，但是阿多丸還有一個秘密任務(wù)，那就是將從中國劫掠來的文物偷運(yùn)出境。這個秘密被小劉（劉小微 飾）的父親——一個文物老專家所得知，他掌握著所有文物的清單，也因此遭到日寇的追殺。臨死之際，老教授將藏有清單的可樂瓶交給擔(dān)任聯(lián)絡(luò)員的郭大叔（郭達(dá) 飾）。偵知到日本人的陰謀，八路軍以及重慶方面的勢力都行動起來?！ 《谶@一過程中，更大的陰謀也悄悄浮出水面……
毛骨悚然撞鬼經(jīng) 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內(nèi)敬子,蓮佛美沙子,洼田正孝,橋本真實(shí),菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子《紅指甲》備受人際關(guān)系困擾的公司職員石田（山下智久 飾）回家途中意外拐錯了叉路口，險(xiǎn)些喪命。據(jù)說走錯叉路口的人絕對不可以把看到的東西告訴別人，否則對方將遭遇不幸。某晚，石田突然想起了那一天看到的景象?！侗辉{咒的病室》新人護(hù)士佐野愛莉（剛力彩芽 飾）偶然發(fā)現(xiàn)，居住在308病房的病人，去世前總會凝視著病房屋頂某個地方，那里似乎有什么東西存在?！队壹缰方螘r間，青年利也（岡田將生 飾）總是感覺肩膀很沉，他頗有些靈力的女友告訴他，他的右肩待著一位大嬸；《午夜末班車》男子（スギちゃん 飾）看錯時間，錯過了一個小時前的地鐵末班車。正當(dāng)他懊悔之際，他的眼前?？苛艘惠v空無一人的列車；《夏日回憶》聰美（香里奈 飾）不久前與愛慕自己的青梅竹馬好友小悠（菅田將暉 飾）生離死別，某天晚上，小悠的身影出現(xiàn)在聰美床頭……
那個人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費(fèi)雷拉-雷迪爾,安托萬·賴納茨,費(fèi)奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開丈夫與兒子，也離開穩(wěn)定的律師工作，在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活，對兒子的愛未減半分，與丈夫也親如摯友，直到那日，她向丈夫吐露與女性的親密關(guān)系，完美生活旋即化為一場幻夢。在失去監(jiān)護(hù)權(quán)后，她不得不在機(jī)構(gòu)間穿梭，為了見兒子一面奮力一搏，卻不知這樣的困境，何時能走到盡頭？
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.