鏡花風(fēng)月之西施淚
該系列共分六部,分別為《鏡花風(fēng)月之一怪談》、《鏡花風(fēng)月之二艷鬼現(xiàn)身》、《鏡花風(fēng)月之三螺女 挑情》、《鏡花風(fēng)月之四與鬼同眠》、《鏡花風(fēng)月之五春降》、《鏡花風(fēng)月之六西施淚》。 中國歷史上有關(guān)西施的傳說很多，寫西施的書也很多，但所有傳說和書籍中的西施，都有男人世界中的西施，男人目光中的西施。男人世界和男人目光中的西施是什么呢？是紅顏薄命，是禍水，是權(quán)謀者運(yùn)用自如的尤物和器具?！段魇I》為我們寫出了一個(gè)全新的西施，作家定西施的美，西施的愛，也寫西施的蒙昧，西施的無奈，西施的盲從和渾渾噩噩。他不僅寫出了花朵般綻開的西施，還寫了她的凋謝，她的楔萎，她的腐爛，以及她作為女人所承受的全部悲哀和不幸。
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影視排行
像這樣的夜晚
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貓小姐莫西
芭芭拉·薩拉菲安,Sarah Bannier,彼特·恩布雷希茨莫西小姐和她的貓朋友們看不起每個(gè)“與眾不同”的人。有一天，她和她心愛的人類Joosje（8歲）和她的父母去了法國。女房東Rita非常想和她的狗Tuur一起贏得《動(dòng)物達(dá)人秀》。她看到音樂劇《莫西小姐》，當(dāng)家人需要回家時(shí)，她綁架了她。莫茜小姐逃跑了。在路上，她遇到了兩個(gè)不太可能的旅行伙伴：Ayo，一只老燕子和Tuur。在他們的共同冒險(xiǎn)中，莫西小姐意識(shí)到她的舊觀點(diǎn)是錯(cuò)誤的，她理解真正的友誼意味著什么。
神探伽利略 禁斷的魔術(shù)
福山雅治,北村一輝,新木優(yōu)子,村上虹郎,森七菜,渡邊一計(jì),澤部佑,朝倉亞紀(jì),中村雅俊,鈴木浩介,平原テツ「沈黙のパレード」の4年前に起きた事件を描く「ガリレオ 禁斷の魔術(shù)」。帝都大學(xué)の準(zhǔn)教授である湯川のもとを刑事の草薙俊平と、部下の牧村朋佳が訪れる。殺害されたフリーライター?長岡修の部屋から、突然倉庫の壁に穴が開くという奇妙な動(dòng)畫ファイルが見つかったのだ。動(dòng)畫を観て珍しく興味を抱く湯川?！赣诚瘠橛挨丹欷繄鏊蛞姢护皮臁工妊预à韦郡坤胜椁虡斪婴驓荬摔堡膜摹⒉菟Sは牧村とともに現(xiàn)場へ向かう。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.