情事1991

★ 3.4 播放：46萬 更新：2026-05-15

“Francescaèsolaconunafigliaesenzaunsoldo.Maèbellissima.”——FromIMDB 　　女人的丈夫死于車禍,給她留下了一個小女孩和一大筆債務。為了掙錢，女人開始不擇手段。影片描述了在金錢與尊嚴中周旋的人們國外三級

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劇情簡介

“Francescaèsolaconunafigliaesenzaunsoldo.Maèbellissima.”——FromIMDB 　　女人的丈夫死于車禍,給她留下了一個小女孩和一大筆債務。為了掙錢，女人開始不擇手段。影片描述了在金錢與尊嚴中周旋的人們國外三級

導演精選

分裂: 黑色子彈

　　對警察槍擊、種族主義和他們共同的聯(lián)系進行原始的、毫無歉意的審視。沒有說明我們知道答案，但不害怕直接提問。

陰陽師0

　　講述安倍晴明學生時代的故事。在陰陽寮，被譽為天才的安倍晴明與其他學生截然不同，他是個有些討人厭且對成為陰陽師毫無興趣的怪人。　　有一天，晴明受到貴族源博雅的委托，解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突，但他們還是一起追尋真相。而一名學生的離奇死亡成為事件火索火索，引發(fā)了卷入平安京的邪惡陰謀和詛咒的動亂。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.