八月來風
《霓虹?!穼а菁硬祭锇枴ゑR斯卡羅的劇情長片處女作,提名第67屆洛迦諾國際電影節(jié)(2014)金豹獎。Shirley離開大城市,回到了海濱小鎮(zhèn)照顧她的奶奶。在那里,她是當?shù)匾粋€椰子種植園拖拉機駕駛員。她喜歡搖滾樂,夢想著成為一個紋身藝術家,她感覺自己被這個小小的沿海村莊束縛著。她向Jeison吐露了心聲,Jeison也在椰子農(nóng)場工作,在工作之余還會潛水抓龍蝦和章魚。八月通常是當?shù)責釒эL暴沖破海岸線的季節(jié),一個風能專家來到村里,研究熱帶風暴。在一次漲潮和狂風大作之時,一個驚喜的發(fā)現(xiàn)帶著Shirley和Jeison開始一段直面生與死、失與得、風與海的神奇旅程。
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電梯游戲
Megan Best,亞當·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas魔法壞女巫2
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?!に谷R特,瑪麗莎·博德,彼特·丁拉基,科爾曼·多明戈,亞當·詹姆斯,艾米麗·蒂爾尼,艾琳·巴特爾,邁克爾·瓜內(nèi)拉,莎拉-杰恩·里德爾,雅雅·哈姆扎,瑞安·曼,喬爾·斯特恩,利里奧·博阿滕,莉茲·艾森,里卡多·盧德羅·蘇薩,卡勒姆·鮑耶時間旅館
張本煜,王佳佳,楊平道,楊瑾,王飛飛,沈小平 ,葦青衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz時光插班生
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黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.
黑心鬼
陳友,梅艷芳,午馬,葉德嫻,莫少聰黑心鬼(午馬 飾)原是百年前的善長人翁,好事做盡,卻令田地善惡不平衡,故被罰在陽間害九名貪心之人后方可投胎;陳康泰(陳友 飾)誤放出尿壺中的黑心鬼,被贈予三個愿望,試驗其是否貪心之人。康泰之弟星辰(莫少聰 飾)替兄頂罪而被解雇,寄居兄長家中,被惡嫂梅賽花(梅艷芳 飾)逼做男傭,因而邂逅女鬼梅蘭花(梅艷芳 飾),另一方面,黑心鬼限期將至,決定完成康泰最后愿望后便取其性命,康泰能否度過此劫……
銀瀑2:重現(xiàn)
丹德里·泰勒,Laura Flannery,杰德·拉姆西,亞當·拉扎爾-懷特,尼基塔·拉姆齊,Jennifer DorogiSeveral years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.
突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯描述一群青少年學生參加美國太空總署主辦的太空夏令營,親身體驗太空登月的操作環(huán)境。不料在一次意外中,他們乘坐的太空艙竟然真地發(fā)射升空,幾個年輕人登時六神無主,幸好有一個機器人留在艙中協(xié)助他們化險為夷。在眾多的太空科幻片中,哈瑞.溫勒導演本片較著重太空知識的傳遞而非眩目迷人的特效。外景在NASA 實地拍攝,有些地方頗令人大開眼界。凱特.卡普肖飾演女教官、利.湯普森、凱利.普雷斯頓飾演太空歷險的學生,但最討人喜歡的還是那個造型和表演都相當有趣的機器人。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster