我的另一面
后失去她生命中的愛,琳達 (波比斯塔爾) 發(fā)現(xiàn)自己需要新的靈感。值得慶幸的是,她親密的朋友有"完美"的解決方案,因為它只是恰巧琳達的失去的愛情是器官捐贈者。在努力找到關閉,她找出每個器官的收件人看到"他"對他們的生活產(chǎn)生的影響。琳達會發(fā)現(xiàn)她在找什么?正是她在找什么?如果她找到了,她會做什么?還有更多的問題,而不是答案嗎?一件事是肯定的 這個性感、 浪漫、 輕松的故事是一定要請愛好者的青睞。
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深淵未遠
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber絕錄求生
吳超,孫驍瀟,吳楚,馮波,王思思,安琥,國慶,劉波修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里X 放射線
詹姆斯·惠特摩,埃德蒙·戈溫,詹姆斯·阿尼斯,瓊·韋爾登植物學家
葉斯力·加和斯力克,任紫晗,埃拉馬贊·薩赫特,喬馬揚·松哈特,努道勒·亞倫兇兆前傳
尼爾·泰格·弗莉,托菲克·巴霍姆,索尼婭·布拉加,拉爾夫·伊內(nèi)森,比爾·奈伊,米婭·麥戈文·扎伊尼,安東·亞歷山大,安德烈·阿坎杰利,瑪麗亞·卡巴雷諾,阿萊西亞·博納奇,伊什塔爾·柯里-威爾遜,彼得·阿佩塞拉,西爾維婭·帕納喬內(nèi),馬里奧·歐普特,阿德里亞諾·阿拉貢,多納泰拉·巴托麗同類推薦
大蛇5:怪獸都市
張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡太平洋雨夜,海灘尸骸遍野,貨船遭巨獸撕碎,災難預兆降臨。邊郊監(jiān)獄內(nèi),死刑犯烏川臨刑前夜遇史前大蛇襲擊,混亂中越獄,卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發(fā)蛇災,烏川母親被困車間,他拒捕欲救人,此時各類史前怪獸肆虐,城市淪為煉獄。二人與幸存者躲進超市,合力斬殺潛藏怪物。眾人查明,驲琿化工違規(guī)排海才引生物報復。 吳川挺身營救母親與幸存者,擊敗大蛇阻止二次污染
沉默的鏡像
蒂莫西·赫頓,費爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特這是一部B級的驚悸片領銜主演的是曾獲得奧斯卡獎的蒂莫西·赫頓. 歐洲警察特工Tom Brindle(由蒂莫西·赫頓扮演)負責調(diào)查Pygmalion的案件,這家伙在 法國和西班牙殺害了很多女孩,是一個連環(huán)殺手... @幕后 蒂莫西·赫頓在1980年羅伯特·雷德福(Robert Redford)導演的第一部影片《凡夫俗子》(Ordinary People)中扮演一位企圖自殺年輕人,他敏感、細致入微出色表現(xiàn)為贏得了包括奧斯卡最佳男配角獎內(nèi)多項表演獎當時還不滿20歲
漆黑如夜
Lukas Haas,凱文·杜蘭故事發(fā)生在某個毗鄰原始森林的小鎮(zhèn),一家伐木公司正在林中作業(yè),這時白雪飄然落下,作業(yè)暫時停止,然而隨即便發(fā)生了殘酷血腥的事件。與此同時,警長保羅·希爾德(凱文·杜蘭德 Kevin Durand 飾)和新來的搭檔唐尼剛剛敷衍完幾個報警事件,隨后驅(qū)車來到前妻蘇珊(Bianca Kajlich 飾)的家中,接走兒子亞當(Ethan Khusidman 飾)回自家居住。一夜無事,次日一早,保羅在門口發(fā)現(xiàn)碩大的腳印,而且腳印遍布小鎮(zhèn)主干道,一直延伸到森林深處。巨大的腳印在小鎮(zhèn)鬧得人心惶惶,保羅起初絕不相信妖精怪物一類的傳說,但是恐怖血腥的事件接二連三發(fā)生,讓小鎮(zhèn)陷入前所未有的恐慌之中?! ∥C漸次逼近……
怪談晚餐
樸昭怡,劉多仁,尹賢旻,張光,李周英,金周靈,高恩敏,李素英,吳承姬,張睿恩,張丞延,金太竣,潘素英,申銀秀,金浩貞,金東英,申文成,金太勛,趙在允,崔秀林,樸真雅這部電影將六個故事組合成一個綜合系列,描繪了由于人類錯誤的欲望而發(fā)生的奇異事件。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.