くぼたみか – 潛入捜査官

阿爾瑪與狼

　　以俄勒岡州海岸為背景，陷入困境的警官倫·阿科德調(diào)查一起神秘的狼襲擊事件。當(dāng)他關(guān)系疏遠(yuǎn)的兒子在案件中失蹤時(shí)，事情嚴(yán)重起來。

牙仙歷險(xiǎn)記

　　一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴(yán)苛傳統(tǒng)的世界。在一次冒險(xiǎn)中，他遇見了世界上最可愛的小巨魔，以及擁有科學(xué)天賦、勇敢無畏的小妖精。三個(gè)小小生物從此展開旅程，努力聯(lián)合各自的王國，同時(shí)躲避心懷不軌、蠢蠢欲動(dòng)的蜘蛛威脅。

黑衣女人2：死亡天使

　　1941年，第二次世界大戰(zhàn)如火如荼。英國倫敦遭到納粹法西斯的毀滅性轟炸，成千上萬的人流離失所，更有無數(shù)兒童淪為孤兒。為了躲避戰(zhàn)火的蹂躪，陸軍軍官的妻子海倫·霍格女士（海倫·麥克洛瑞 Helen McCrory 飾）與伊芙·帕金斯（菲比·?？怂?Phoebe Fox 飾）帶著孤兒們登上列車，輾轉(zhuǎn)來到一處偏遠(yuǎn)所在避難。經(jīng)過長途跋涉，她們抵達(dá)目的地并被安排在臨時(shí)的占時(shí)軍隊(duì)醫(yī)院落腳。只不過它的前身這里正是那個(gè)黑衣女人橫行盤桓的Eel Marsh House。才脫狼穴，又入虎口，驚慌失措的女人和孩子們即將迎來比戰(zhàn)爭更為可怕的噩夢，惡靈的殺戮有序展開……　　本片根據(jù)英國小說家蘇珊·希爾（Susan Hill）的暢銷小說改編。

巫咒

　　影片講述了萬香山腳有個(gè)黑頂子村，村里住著謝家三兄弟。某年冬天特別寒冷，謝老二違背了祖訓(xùn)，偷偷進(jìn)山采參，誰知回來后就神秘死去。村中人都認(rèn)為謝老二是因?yàn)檫@是觸怒了山神，“山神降下了詛咒”才離奇死亡??

黎明殺祭

暴風(fēng)雪肆虐的圣誕夜，一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營的巴洛克劇院，排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身，排練演變?yōu)閼K烈的生存競賽。演員們后知后覺地發(fā)現(xiàn)，劇本中的每一幕死亡，都是一場旨在召喚反基督者的古老儀式。

庫梅爾·南賈尼：夜間思緒

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.