即刻觀影
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看不見(jiàn)的守護(hù)者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López西班牙驚悚片。根據(jù)西班牙懸疑推理小說(shuō)家多洛蕾絲·雷東多的代表作巴斯坦三部曲之《隱形守護(hù)者》，這是近年來(lái)西班牙最轟動(dòng)的犯罪懸疑小說(shuō)，比《沉默的羔羊》《犯罪心理》更驚悚，已經(jīng)高踞西班牙暢銷(xiāo)書(shū)排行榜長(zhǎng)達(dá)三年之久，講述巴斯克地區(qū)的一起連環(huán)殺人案。一名曾受過(guò)聯(lián)邦調(diào)查局訓(xùn)練的警察回到位于納瓦拉的家鄉(xiāng)，追捕一名專以當(dāng)?shù)厍嗌倌隇槟繕?biāo)的殺手，還得面對(duì)自己過(guò)去的心理創(chuàng)
魔法壞女巫
辛西婭·埃里沃,愛(ài)莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊?！に谷R特,瑪麗莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,楊伯文,布朗溫·詹姆斯,伊迪娜·門(mén)澤爾,克里斯汀·肯諾恩斯,基拉·塞特爾,莎倫·D·克拉克,科林·邁克爾·卡邁克爾,亞當(dāng)·詹姆斯,愛(ài)麗絲·費(fèi)恩,詹娜·博伊德,肖恩·普倫德加斯特,亞倫·張,Lexi Lancaster,Arlo Turner影片講述了奧茲國(guó)兩位女巫鮮為人知的成長(zhǎng)故事。因綠色皮膚而備受誤解的艾芙芭（辛西婭·埃里沃 Cynthia Erivo 飾）與光彩奪目、野心勃勃的格琳達(dá)（愛(ài)莉安娜·格蘭德 Ariana Grande 飾）在西茲大學(xué)結(jié)識(shí)，性格迥異的二人卻建立起了深厚的友誼。然而，隨著與奧茲國(guó)大巫師的邂逅，她們的友誼走向十字路口，二人面臨著截然不同的命運(yùn)之路。這段奇幻冒險(xiǎn)揭示了友誼、力量與自我發(fā)現(xiàn)的真諦。
北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.
萬(wàn)世英雄
查爾頓·赫斯頓,索菲婭·羅蘭,雷夫·瓦朗,吉內(nèi)瓦維·佩吉,約翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲爾德,馬西姆·塞拉托,弗蘭克·思林,邁克爾·霍爾德恩,安德魯·克魯克香克,道格拉斯·威爾默,托里奧·卡米納提,拉爾夫·杜魯門(mén),Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齊,芭芭拉·埃弗里斯特,尼里奧·貝爾納迪,赫伯特·羅姆,歐米洛·康帕納,Antonio Mayans,保羅·穆勒,保羅·納什,歐露莎爾芭·奈麗,維爾吉里奧·特謝拉故事發(fā)生在1080年的西班牙，彼時(shí)的西班牙并沒(méi)有統(tǒng)一，而是分為三個(gè)互不干涉彼此國(guó)家政務(wù)的小國(guó)。盧利歌（查爾登·海斯頓 Charlton Heston 飾）因?yàn)榘抵蟹抛吡藝?guó)王卡斯提爾下令處死的摩爾人酋長(zhǎng)而遭到了國(guó)王的厭惡。在一場(chǎng)意外之中，盧利歌不小心殺死了未婚妻吉米娜（索 菲婭·羅蘭 Sophia Loren 飾）的父親，導(dǎo)致兩人的情感破裂。 不久之后，盧利歌所在的國(guó)家遭到了別國(guó)的侵略，盧利歌奮起反擊保護(hù)自己祖國(guó)領(lǐng)土的完整，最終將敵人擊退。然而壞事成雙，卡斯提爾的去世讓兩名王子阿爾福斯（約翰·弗拉瑟 John Fraser 飾）和桑科（加里·雷蒙德 Gary Raymond 飾）開(kāi)始爭(zhēng)奪王位，好不容易恢復(fù)的和平再一次遭到破壞。
黑暗之家
Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak1978年的某個(gè)寒冷秋夜，迷路的希羅頓走進(jìn)了一個(gè)偏僻的農(nóng)場(chǎng)。農(nóng)場(chǎng)主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機(jī)。不料人心的貪欲引發(fā)了血的悲劇…… 四年后的冬天，姆爾茲警官負(fù)責(zé)調(diào)查這起兇殺案，他和重要證人希羅頓一起前往現(xiàn)場(chǎng)檢證。敷衍了事的調(diào)查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現(xiàn)而出……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.