肉體的信徒

8.4 播放:66萬(wàn) 2026-05-09

In a genre defined by shocking violence and psychosexual kink, it remains perhaps the most over-the-top "giallo" in EuroCult history: former MGM starlet and doomed James Dean paramour Pier Angeli (two decades past her Golden Globe award for "Most Promising Newcomer" and just one year before her tragic death) star in this ultra-lurid epic packed with decapitations, pet vultures, creepy incest, groovy fashions, cyanide baths, swirly psychedelics, inexplicable plot twists, Nazi death camp flashbacks and more. Eleonora Rossi Drago, Fernando Sancho and Luciano Catenacci co-star in the 1970 sickie that would make Sigmund Freud himself scream in horror. Unfortunately, IN THE FOLDS OF THE FLESH is presently only available with an English-dubbed dialogue track. [Dubbing is generally avoided whenever possible (though not an option in this particular instance).]

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弗洛里安·大衛(wèi)·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內(nèi)洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內(nèi)德,瑪利亞·佛萬(wàn)格勒,沃爾夫?qū)に顾菲?Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler

  安東尼(馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾)和保羅(弗洛里安·大衛(wèi)·弗里茨 Florian David Fitz 飾)是從小玩到大的青梅竹馬,兩人共同經(jīng)歷了太多的事情,彼此之間的友誼堅(jiān)不可破。成年之后,他們一起創(chuàng)辦了一家公司,這一天,公司覓得了一名非常慷慨的投資人,為了慶祝這件事情,公司里開設(shè)了一場(chǎng)盛大的派對(duì),在派對(duì)上,玩的興起的安東尼和保羅決定打一個(gè)賭,賭注是公司百分之五十的股份?! “矕|尼和保羅交出了身上所有的東西,兩人回歸到身無(wú)分文的狀態(tài),然后每一天,他們都可以在他們所擁有的東西里拿回一件,如此往復(fù),看誰(shuí)能夠撐更長(zhǎng)的時(shí)間,先放棄的人就是輸家。

食人之饑

馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-Martin

  In a small, remote village in upstate Quebec, things have changed. Locals are not the same anymore - their bodies are breaking down and they developed an outlandish attraction for flesh.

恐怖列車

索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格羅瑞亞·沃特西斯,Todd Jensen,Vladimir Vladimirov

  五名美國(guó)業(yè)余摔跤選手艾歷克斯(Thora Birch 飾)、托德、克萊爾、威利、謝爾頓,在教練帶領(lǐng)下遠(yuǎn)赴東歐參加摔跤比賽,雖然他們輸?shù)袅吮荣悾?dāng)晚仍興致勃勃參加了派對(duì),以致耽誤了第二天開往敖德薩的火車,由于語(yǔ)言不通,他們一時(shí)買不到車票,一位說英語(yǔ)的金發(fā)女郎出現(xiàn),帶領(lǐng)他們登上了車站內(nèi)的一列紅色火車?! 「σ簧宪?,隊(duì)員們的護(hù)照便被形容猥瑣的男乘務(wù)員收去,這列經(jīng)過改裝的列車上賭場(chǎng)、餐車、休息室一應(yīng)俱全,隊(duì)員們很快遠(yuǎn)離其他語(yǔ)言不通的乘客,躲在休息室玩起了真心話大冒險(xiǎn),然而在游戲進(jìn)行的過程中,托德消失在列車尾部,其他隊(duì)員也一一失蹤,艾歷克斯很快發(fā)現(xiàn),她要獨(dú)自面對(duì)車上的幾個(gè)活體器官摘除者……

約定2024

片岡千之助,北香那,望海風(fēng)斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風(fēng)吹淳,橋爪功

錺(かざり)職人のもとに奉公していた幸助(片岡千之助)は、ようやく8年の年季が明けることになった。                                                                        幸助は幼馴染のお蝶(北 香那)という娘に想いを寄せていた。                                                                        5年前、幸助とお蝶は年季が明けるその日、刻は暮六ツに、萬(wàn)年橋で會(huì)う約束をしていた。                                                                        互いに想いながらもこの5年の間、幸助は人には言えない秘密を抱えていた。                                                                        また、お蝶の身にも幸助には話せない辛い思いがあった。                                                                        橋が見渡せる川辺からそっとお蝶を探す幸助。懐にはお蝶の為に作った簪(かんざし)が入っている。                                                                        果たして二人は萬(wàn)年橋で再會(huì)することができるのか……。

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.