劇情縱覽
深夜,今天也正值班的出租車司機(jī)光植。出租車后座上:迷你裙,雙腿之間,誰會(huì)出賣自己的身體睡覺,只是一個(gè)奇怪的女人。暫無內(nèi)容光植是悠閑的街道上出租車,路邊吸煙,看見傷痕累累的英淑路過。幾天后,深夜也正在出租車司機(jī)的光植。...
深夜,今天也正值班的出租車司機(jī)光植。出租車后座上:迷你裙,雙腿之間,誰會(huì)出賣自己的身體睡覺,只是一個(gè)奇怪的女人。暫無內(nèi)容光植是悠閑的街道上出租車,路邊吸煙,看見傷痕累累的英淑路過。幾天后,深夜也正在出租車司機(jī)的光植。...
Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.
Luna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
改編自賽珍珠的普立茲獎(jiǎng)小說,是好萊塢在三十年代開始注意東方題材的代表性作品。影片雖是描寫中國農(nóng)村夫婦的悲劇故事,但主角均由美國人扮演,導(dǎo)演悉尼.弗蘭克林也采取西方古典電影的風(fēng)格來處理,在制作上相當(dāng)嚴(yán)謹(jǐn)認(rèn)真。劇情描寫保羅.茂尼與路易絲.萊娜本來是貧困的農(nóng)民,面對(duì)饑荒的威脅甚至以烤土充饑。后來茂尼得到了一筆財(cái)富,竟整天花天酒地迷戀情婦,萊娜只有發(fā)揮賢妻的耐性期待丈夫浪子回頭。今天看來類似故事已顯得老套,但本片的拍攝與特技表現(xiàn)杰出,路易絲.萊娜亦獲得奧斯卡最佳女主角獎(jiǎng)。