望道

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

北區(qū)偵緝隊(duì)

　　2012年，馬賽北部地區(qū)是全法國(guó)犯罪率最高的地區(qū)。在上級(jí)領(lǐng)導(dǎo)的壓力下，BAC Nord警隊(duì)不斷改進(jìn)工作方式。在高風(fēng)險(xiǎn)地區(qū)，警察選擇改變工作手段，有時(shí)甚至?xí)竭^(guò)界限。直到有一天，法律形勢(shì)開(kāi)始對(duì)他們變得不利……

細(xì)骨小屋

　　在一場(chǎng)暴風(fēng)雨中，兩個(gè)罪犯找到了一個(gè)看似廢棄的農(nóng)場(chǎng)小屋避雨。他們挾持了里面的居民，但沒(méi)有想到，這個(gè)看似廢棄的小屋有著自己的秘密......

母親2009

兩個(gè)心臟

　　改編自同名網(wǎng)絡(luò)連載漫畫(huà)，由原作漫畫(huà)作者鄭嚴(yán)植親執(zhí)導(dǎo)筒拍攝。該片講述了被連環(huán)殺人犯奪去家人的女子以自己的臟器作為擔(dān)保展開(kāi)報(bào)復(fù)行動(dòng)的故事。