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高曉攀,李萌萌,李明,龔玥菲,劉德強(qiáng),趙晉,張暘,郭京波,趙銘,王雪純,金道鑫鑫,于時弈,劉樂銘毛骨悚然撞鬼經(jīng) 2006夏季特別篇
伊藤淳史,夏川純,堀北真希,桐谷美玲,高島政伸,溫水洋一,釋由美子,巖佐真悠子,大島美幸,村上知子,平岡祐太,柴田理惠無限密室
克里斯托弗·索倫·凱利,卡桑德拉·克拉克,卡賈爾多·林賽,杰西·D·阿羅靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克午夜場
范夢,馮言彥,鄧先宇,歷家兵,李子雄戴夫造了個迷宮
尼克·圖恩,梅拉·羅希特·庫姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·??颂?布里特妮·多伊奇,杰西卡·格拉夫斯同類推薦
靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達(dá)明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲港島東區(qū)警署刑事偵緝組由Madam雷(劉嘉玲飾)率領(lǐng),全組皆是女警,所以有“靚女差館”之稱。另一警局的警員生?。愞妊革棧┖蜕车謺苑屣棧┰谝淮涡袆又?,得由Madam雷率領(lǐng)的眾靚女CID幫忙而保存性命,對眾美女一見難忘,兩遂主動申請調(diào)職,走后門調(diào)到靚女差館,以接近眾女警并展開追求?! ∩?、沙二人身處美女群中,本應(yīng)十分過癮,可惜就在他倆加入之時,爆破專家火牛以炸彈恐嚇靚女差館,生、沙二人險喪命,警署上下全體陷入炸彈奪命危機(jī),眾靚女CID全力追緝炸彈狂徒……最后靚女CID得到前軍火專家博士(王晶飾)的幫助,得以化險為夷,生、沙也在危難中始知自己最愛是誰,決頂改變追女習(xí)慣,并成功解救富豪被擄案件......
魔鬼蜘蛛男
藤田進(jìn),岡譲司,舟橋元,松下猛夫,風(fēng)間繁美,八島恵子,宮城千賀子《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭,怪紳士稻桓租下了一間事務(wù)所,把它重新裝修成美術(shù)藝品店。第二天開業(yè)時聘用了一名十八歲的美少女,但當(dāng)天晚上就奸殺了這名少女。接下來的幾天內(nèi)報紙社會版頭條陸續(xù)刊登了“碎尸案”、“美人魚案”。民間犯罪學(xué)者畔柳博士接手此案,在與藍(lán)胡子稻桓正面交鋒的過程中屢屢敗下陣來,直到環(huán)游歸來的明智加入偵破陣營……,故事從讀者預(yù)測不到的角度展開,是一部名探與殺人狂的斗智故事。
翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫珀故事發(fā)生在第一次世界大戰(zhàn)期間,瑪麗(克拉拉·鮑 Clara Bow 飾)暗戀著英俊的杰克(查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾),可是杰克的心思卻全部放在了大小姐西爾維婭(喬拜娜·勞斯頓 Jobyna Ralston 飾)身上,無奈西爾維婭亦有她的心上人,那就是富家子弟大衛(wèi)(理查德·阿倫 Richard Arlen 飾)。戰(zhàn)爭爆發(fā)了,大衛(wèi)和杰克投身軍隊為國家效力,在軍中,身為情敵的兩人關(guān)系漸漸緊密,之后成為了摯友。一場激烈的戰(zhàn)役中,大衛(wèi)遭遇了意外,悲痛的杰克決心為朋友報仇。然而,杰克并不知道的是,大衛(wèi)沒有死,他甚至偷到了一架敵機(jī)。正當(dāng)大衛(wèi)喜滋滋地駕駛著敵機(jī)返回營地之時,與為朋友報仇心切的杰克撞了個正著。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
特殊檢測
《特殊檢測》是由成都光影紀(jì)元影視文化傳媒有限公司申報的科幻題材網(wǎng)絡(luò)電影